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...creates slower, warmer melodies is impressive. While the found sound production aesthetic of his past work is still noticeable, the increased presence of electric guitar allows the structure of each track to catch hold. Filtered through a resonating old gramophone-type effect, the guitar acts sort of like sun glare, transfiguring the simple chord progressions and also making them perfect sleep music. “Lovers Carvings,” in particular, features ideally lustrous guitar work that gets along well with a late afternoon outdoor nap. Wilkinson’s real skill, though, is crafting the faultless head...

Author: By Ross S. Weinstein, CRIMSON STAFF WRITER | Title: Bibio | 9/4/2009 | See Source »

Going into The September Issue, a documentary chronicling the production of a single, record-breakingly huge issue of Vogue in 2007, we already knew that the magazine's editor, Anna Wintour, wears Prada, drinks Starbucks and favors sunglasses indoors and that her weapon of choice is more frosty glare than flaming pitchfork. In the course of the documentary, she reveals her eyes (hazel), her teeth (not pointy, except the canines) and what she believes to be her greatest vulnerability: her children. (See the top 10 most reclusive celebrities...

Author: /time Magazine | Title: The September Issue: Humanizing the Devil | 8/28/2009 | See Source »

...sound spilled out past the porch, into a night made lighter by a full moon whose bright glare bounced off the dark waters of Nantucket Sound, beyond the old house where Teddy - and he was always "Teddy" here - mouthed the lyrics to every song, sitting, smiling, happy to be surrounded by family and friends in a place where he could hear and remember it all. And as he sang, his blue eyes sparkled with life, and for the moment it seemed as if one of his deeply felt beliefs - "that we will all meet again, don't know where...

Author: /time Magazine | Title: Barnicle on Kennedy: Of Memory and the Sea | 8/27/2009 | See Source »

Even more impressive is the way this feature-film novice director sells his vision of Johannesburg as a dusty sump hole, a place of sapping heat and blinding glare. The creatures aren't caressed with the moody lighting of most monster films; by sticking them out in the sun, Blomkamp demystifies them and shows off their CGI sophistication. (Virtually all the aliens were created digitally; he used very few puppets.) "I wanted the image to feel incredibly raw and unmanipulated," he says, "almost like it came straight from the camera sensors right onto the screen. So instead of setting...

Author: /time Magazine | Title: District 9: The Summer's Coolest Fantasy Film | 8/13/2009 | See Source »

...Thriller" as their ringtone and call up his videos on YouTube. They had their representatives as well, in the form of the Jackson children we had seldom seen before. His own childhood melted by fame, Michael tried obsessively to keep his sons and daughter from being burned by its glare. They didn't go to school; they appeared in public masked and veiled. And so it was almost a shock to see them, with the TV camera behaving cautiously at first, sweeping over them discreetly as they sat with their aunts and uncles and grandparents...

Author: /time Magazine | Title: The Moment | 7/20/2009 | See Source »

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