Search Details

Word: glaring (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...hall of Caracas' Palacio Blanco was crowded last week with newsmen and television crews. The government had hurriedly called a very unusual press conference. On display were two members of Fidel Castro's Cuban army: Manuel Gil Castellanos, 25, and Pedro Cabrera Torres, 29. Blinking in the glare of klieg lights, the Cubans were escorted into the room, one after the other, were briefly questioned by government information officers, and were then led away to a military prison...

Author: /time Magazine | Title: Latin America: Castro's Targets | 5/19/1967 | See Source »

...sculpture, when seen indoors, commonly overwhelms the viewer. Outdoors, it takes on what Curator Tuchman, 30, calls "a heroic quality." Besides, it gets the benefits of the California sunshine, which Tuchman, who is a recent migrant from New York, describes rhapsodically as "more diffuse, more intense, with a pervasive glare, a kind of luminescence." Sol Lewitt's white jungle gym, for instance, gains a thousand chunky highlights from the sun. The California show also clearly demonstrates that the new cool geometry, which is often combined with bright color or gleaming industrial surfaces, is a truly nationwide movement...

Author: /time Magazine | Title: Sculpture: White Wings in the Sunlight | 5/12/1967 | See Source »

Ripping Pockets. As seen from the orchestra ranks, Toscanini awesomely lived up to the nicknames he earned as a young student at the Parma Conservatory: "Napoleon" and "il genietto" (the little genius). Many of the musicians quoted by Haggin still quake at the memory of his fierce glare, which took in the whole orchestra but made each player feel that it was focused on him-usually in reproach. And then there were the tantrums. When a piece was not played as Toscanini wanted it, "his irritation used to start at his feet and rise," recalls Bassoonist Sol Schoen-bach...

Author: /time Magazine | Title: Conductors: Salute from the Ranks | 5/5/1967 | See Source »

From coast to coast, no major exhibit of contemporary art these days is complete without the zap of neon, the wink of a wiggle bulb, the spiral shadows of alumia or the ghostly glare of minimal fluorescence. M.I.T.'s Hayden Gallery was jumping last week with the flickering lights of Venice Biennale Prizewinner Julio Le Fare's black-and-white Pulsating Lights and other works of artists exploring light as an artistic medium. For the Los Angeles County Museum's forthcoming "American Sculpture of the Sixties" show, electricians were readying Stephen Antonakos' Orange Vertical Floor Neon...

Author: /time Magazine | Title: Techniques: Luminal Music | 4/28/1967 | See Source »

...this does not make his themes any the less contemporary. His subjects are haunted faces captured in the city's maze of subways, lunch counters, hospitals - and sometimes square, symbolic boxes that fade away into a phantasmagoric perspective under the baleful glare of fluorescent lights. "I respond to the urban environment," says Tooker, a native of Brooklyn who received his education at Andover ('38) and Harvard ('42), and now lives part of the time in Hanover, N.H. "Painting nature can be a kind of running away and an escape," he explains. "I feel I am urban...

Author: /time Magazine | Title: Painting: Contemporary Florentine | 4/21/1967 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Next