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...mood was tense as the two men, clad in olive and gray and blinking into the glare of television lights, took their seats before a cluster of microphones in a social hall of the Philippine Ministry of Defense at Camp Aguinaldo. Behind them huddled about a dozen soldiers, some in full battle regalia. Outside, at the gates of the ministry, less than five miles from Malacanang Palace, the presidential residence in downtown Manila, heavily armed guards and tanks stood at the ready. When the two men began to speak, the reason for the precautions became startlingly clear, for they were...

Author: /time Magazine | Title: The Philippines Rebelling Against Marcos | 3/3/1986 | See Source »

...been reunited only a few hours earlier after an absence of twelve years, Shcharansky, 38, told the crowd of well-wishers in halting Hebrew, "There are moments in our life that are difficult to describe. This is the happiest day in our lives." His eyes glistening in the glare of TV lights, he continued, "Twelve years ago I said to Avital on our parting, 'I'll see you soon in Jerusalem.' But my way here became as long and as hard as the Galuth (the biblical exile of the Jews from Israel) because in these years the Pharaohs...

Author: /time Magazine | Title: East-West This Year in Jerusalem | 2/24/1986 | See Source »

...COUNCIL DIDN'T hold up very well in the glare of public attention. The pettiness of the student government's quarreling became clear, and grand philosophical debate began to reveal itself as a power play by disgruntled council members...

Author: By Michael D. Nolan, | Title: Out of the Spotlight | 2/15/1986 | See Source »

Most landmark laws are signed in the Oval Office amid great hoopla, by a beaming President surrounded by self-promoting politicians grinning in the glare of television lights. But when Ronald Reagan penned his name on the Gramm-Rudman Balanced Budget and Emergency Deficit Reduction Control Act of 1985 last week, he did so without ceremony or cameras...

Author: /time Magazine | Title: Look, Ma! No Hands! | 12/23/1985 | See Source »

...sense of culture they try to construct withers in the red glare of National Socialism. After 1933 their story becomes a lugubrious tale of giants in exile (Oskar Kokoschka, Kurt Schwitters, Max Beckmann), of ruined hope, lopped lives and rampant state philistinism. By 1945 there is no life left in the expressionist impulse, at least in Germany; it can only be reborn in America as abstraction, and then re-exported to exhausted Europe. By 1955 figurative expressionism is a dodo--shot by Hitler, eaten by art history, its bones a museum specimen. Thus spake, until lately, the scenario...

Author: /time Magazine | Title: Art: Tracing the Underground Stream | 12/23/1985 | See Source »

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