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...representing England, Scotland, Northern Ireland and Wales) have all turned Scottish for a month, since the Highlanders are the only United Kingdom squad in the Cup finals. At Westminster, M.P.s were forced to break with a tradition of holding parliamentary by-elections on Thursdays, when one at Hamilton, near Glasgow, conflicted with World Cup opening ceremonies. Faced with a $2,500 airfare to Argentina, a number of frugal Scottish supporters flew to New York City and hitchhiked south, and at least two made the trip on bicycles...

Author: /time Magazine | Title: SPECTACLES: Buenos Dias, Argentina | 6/5/1978 | See Source »

...Casey Stengel used to say, "You could look it up." Says the Guinness Book of World Records: "The greatest recorded train robbery occurred between 3:03 a.m. and 3:27 a.m. on August 8, 1963, when a General Post Office mail train from Glasgow, Scotland, was ambushed at Sears Crossing and robbed at Bridego Bridge at Mentmore, near Cheddington, Buckinghamshire, England. The gang escaped with about 120 mailbags containing ?2,631,784 worth of bank notes being taken to London for pulping. Only ? 343,448 had been recovered by December...

Author: /time Magazine | Title: Books: The Over-the-Hill Mob | 5/15/1978 | See Source »

Havergal recently accepted a long-standing invitation from George Hamlin, producing director of the Loeb, to come over from his home in Glasgow, Scotland to direct a student production of a play of his choice. In Glasgow, Havergal directs and manages the Citizens' Theatre, which houses a small, active repertory company. One of his partners is playwright Robert David MacDonald, who adapted and translated two plays by Pierre Caron de Beaumarchais into this Figaro, and who has also been a recent guest director at the Loeb. "We're always looking for people who can make a rare contribution to theater...

Author: By David B. Edelstein, | Title: All the World's A Stage: Giles Havergal Comes to the Loeb | 4/28/1978 | See Source »

Adaptor MacDonald directed the world-premiere of Figaro in Glasgow; this is the American premiere. Is Havergal at all dissatisfied with the relative inexperience of college actors? "I don't really see much of a difference," he says, adding "Actors are actors, and these people are absolutely committed. At no point have I ever had to think: They're only students." Is he completely satisfied, then? "You're never completely satisfied, and that's nothing against these actors," Havergal says...

Author: By David B. Edelstein, | Title: All the World's A Stage: Giles Havergal Comes to the Loeb | 4/28/1978 | See Source »

Havergal acted professionally for a little over a year, and occasionally plays parts in Glasgow. His movements are lithe, and his gestures expansive without being overwhelmingly "theatrical;" occasionally he will demonstrate what he means by reading a line himself, but not very often and always advancing the reading as a "suggestion." Most directors bark out orders, confusing their actors and exhausting their stage-managers. Some, the nice ones, may preface their demands with a "please," or end them with a "thank-you." Havergal always asks. "Is that okay?" he will say, and you get the feeling he means...

Author: By David B. Edelstein, | Title: All the World's A Stage: Giles Havergal Comes to the Loeb | 4/28/1978 | See Source »

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