Word: glass
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Dates: during 1960-1969
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...just to keep alive. Out on the tundras of Alaska, flesh exposed to such intense cold may freeze within one minute, and mistakes are paid for by the loss of a hand or a foot. At 60 below, steel will break more easily and rubber is as brittle as glass. Standard lubricating oils solidify into a buttery mess, and gasoline must be liberally dosed with alcohol to keep motors running. Unless engines are kept .turning over, they risk a "cold soaking" that seizes every moving part in icy immobility...
...night. Leven--anything but the romantic-type artist, delighted to cough his life away in a cold-water flat-knew he still had a fight on his hands if he wished to save his current project. He knew that while financial failure might bring popular acclaim in this looking-glass city, it just doesn't pay the rent. And Wednesday night, Jeremy Leven quietly closed his show...
...much-married Rooney. "I gotta be in court. I'm gettin' another divorce, ya know." The most memorable set of seatmates, though, was Novelist Mickey Spillane ("I only write for money") and venerable Poet Marianne Moore. "This is gonna ruin my reputation," quipped Spillane, sipping a glass of milk while Miss Moore sampled the champagne. "Don't worry," the director assured the poet when she began tugging on her calf-length skirt. "You could have worn your miniskirt for these closeups." "I did," she retorted...
Frontal Attack. Superficially, BSN's attempt looked absurd. Saint-Gobain produces 22% of the world's plate glass, has extensive interests in chemicals, nuclear energy, cardboard and paper. The company has annual sales of glass and other products totaling $1 billion, almost five times BSN's. But Saint-Gobain's current reputation glitters less than its history. Under the presidency of Count Arnaud de Vogüé, 64, the company lagged behind BSN in adopting the float-glass process that revolutionized glassmaking a decade ago. On the other hand, BSN, which was formed when two firms...
...substitute for the old road, three new types of "road" have been developing for straight plays in recent years. The most established of these is the London route. Such plays as Hadrian the Seventh, Man in the Glass Booth, and The Homecoming were London successes brought to New York by American producers. This is not foolproof, since London hits can still be New York flops (such as Joe Orton's Entertaining Mr. Sloane...