Word: glasse
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Dates: during 1960-1969
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...died when Greek taverns became infested with local and international nouveaux riches, who don't know why, when or how to smash dishes and who, as you state, measure merrymaking's "success by the depth of the debris." Zorba would have smashed only one dish or glass-but with style. Spending no drachma or "buck" either...
Eddy returned home recently and he still has no ready answer to the question. Seven years ago, the young bachelor, then 31, spent $18,000 for a new fiber glass Seawind sailboat that is advertised by the Allied Boat Co. of Catskill, N.Y., as capable of "crossing an ocean if you will." After a year of preparation, Eddy decided he was ready to do just that. So he set sail in the wake of Joshua Slocum, the retired trading-ship captain who took off from Boston in a 37-ft. converted oyster boat back in 1895 and returned three years...
...entrance to the exhibit closely parallels the catalogue introduction. Huge interior photographs of Winthrop's New York apartment are displayed--the beautiful objects of his collection crowded into their original setting. Glass cases across from these photographs hold his undergraduate notebooks, a Christmas card from his art dealer, a letter to the National Gallery explaining why Winthrop was choosing to give his collection to Harvard instead of to it, and a bronze portrait of him executed by his daughter...
...handsome blond Orphan (Michael Glenn-Smith) has been expelled from a celestial garden, but he has brought with him the stained-glass eye of God, his personal token of hope in the essential goodness of things. He meets an Angel (crestfallen) with grave dark eyes. This lovely girl (Susan Watson) tells the Orphan that she is tired of being a Nobody and wants to be a Somebody. Together they meet Potemkin, a master of ceremonies and revelers, played with winning guile by Keith Charles. Potemkin tells the Orphan that he has read that God is dead, so survival has become...
Atlanta prides itself on being a city of culture as well as wealth, and last October it put its most prestigious culture under one $13 million roof: the Atlanta Memorial Arts Center.* The big glass and concrete structure on Peachtree Street was hailed as the only one of the nation's arts centers to house res ident companies in repertory theater, opera, ballet and symphony - as well as an art museum, and an art library and school...