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...yourself. Do you see any burger, fries or bread here?" asks a beaming Kanageswari Suppiah, 50, co-owner of Kuala Lumpur's McCurry, a typical Indian restaurant in the bustling center of the Malaysian capital. Suppiah points to an array of authentic Indian dishes under the restaurant's glass counter - curried chicken, goat's intestine in chili paste, fish head in hot spicy curry, and mee goring, a fried noodle dish beloved by locals. Just hours earlier on Sept. 8, 2009, she had won a landmark court case against American fast-food giant McDonald's, earning the right to keep...

Author: /time Magazine | Title: McCurry: the Indian Eatery That Beat McDonald's | 9/9/2009 | See Source »

...amateur night as cinema, as lopsided and cheerleadery as its worldview. U.S. foreign policy, Stone asserts, divides South American nations into "friends, whose leaders do what we tell them to do, and enemies, whose leaders occasionally disagree with us." His film is no more nuanced. He sees the geopolitical glass as all empty (the U.S. and its world-banking arm, the International Monetary Fund) or all full (Chávez and his comrade Presidentes in South America). But there's an undeniable fascination in the project, even some inspirational value, in Stone's conversations with a half-dozen leaders...

Author: /time Magazine | Title: South of the Border: Chávez and Stone's Love Story | 9/8/2009 | See Source »

...with sensuous description, overflow their narrative bounds; winding sentences, propelled by commas, curl into perfect metaphors. The reader experiences the glow of a cigarette “slowly sketching out the shapes of his insomnia,” a passing moment as “putting down an empty glass on the table,” light as a “dove in the hands of a madman.” (For the sleek rendering of Cortázar’s surrealistic, reference-laden brand of introspection, the English reader is indebted to translator Gregory Rabassa...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Cortázar’s Playful Magnum Opus | 9/4/2009 | See Source »

...balance that rings both classic and modern. The lamps featured in the exhibit are certainly a bright spot amongst the dark, rich mahogany of many of the other creations, most notably for their ability to include a variety of mediums in one work—metal, ceramics, wood, and glass, for example. But the lack of emphasis on the brothers’ ability to incorporate the natural surroundings into the designs of their homes is an important missing component of the exhibit. Though there are blueprints and photos of some of their buildings in the exhibition, they are overshadowed...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: "Greene" Lacks Context | 9/4/2009 | See Source »

...stained-glass lighting within the arched-ceiling architecture is not enough to put the fear of God into trespassers, the not-so-subtle security will keep them away. That has been a feature of the mausoleum long before its latest celebrity client. Family members and plot holders must pass through guards or security camera-manned doors in order to visit loved ones in the structure. Curious wandering is forbidden. Roger Sinclair, 77, a historian of cemeteries who has bought a plot for himself in the Great Mausoleum, was not made to feel welcome, even as a future occupant. Says Sinclair...

Author: /time Magazine | Title: Picking Jackson's Burial Place: Security Was Key | 9/3/2009 | See Source »

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