Word: glassful
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With the aid of a notebook, a microphone, and a glass of water, Spalding Gray became famous by exposing his most personal thoughts and his life’s intimate details through monologues. His work was so inseparable from the man that it is nearly impossible to imagine what his stories would be without the self-deprecating and often profound figure behind the mic. But none of the five actors in “Spalding Gray: Stories Left to Tell,” performed at the Institute of Contemporary Art Thursday through Sunday, were Spalding Gray. A middle-aged woman...
...hundreds of miles. Ash has also erupted with great force into the stratosphere. That's where jets are flying, and encounters between aircraft and ash clouds can be damaging and life-threatening. This ash is not like ash from a fireplace: it's little, pulverized pieces of volcanic glass that can melt in jet engines. The combination has stopped airplane engines midflight. Fortunately we're good at dealing with this hazard now. If you fly from Chicago to Tokyo, there are people watching out for you behind the scenes; you'll never know you diverted around a potential ash cloud...
...broccoli mound-makers: This column is for you. If you’ve used the excuse, “I already had a huge lunch,” to get out of a meal; if you’ve made arbitrary food rules (no meat from now on, a glass of water before for every meal); if you eat uncontrollably during reading period, then this column is for you, too. Still don’t see yourself yet? Hold on. If you’ve heard the euphemism, “He’s weird about food?...
...mistrust and anger, rape, and bodily destruction inundate the stories displayed. Even the presentation of the text itself is challenging. Words, set in uniform lines, cram the frame. As the viewer reads the narratives, he must fight to distinguish the story from his own reflection in the gleaming glass. To create further discomfort, Hatry graces the gallery with a pig flesh example of a sculpted bust. The bust lies on a butcher’s table, attached to stuffed clothing to give it the appearance of belonging to a full body. Just as mascara and blush color the photographed figures...
...Philippe Marquis, who leads the French archaeological team, points to a 26-ft.-deep (8 m deep) pit carved from the hill that exposes a cross section riddled with holes - like an ant farm pressed between panes of glass. He shows how looters dug wells, then tunneled horizontally when a promising layer was reached. (Looters, like archaeologists, know to look for signs such as ash or brick flooring for evidence of human habitation.) One such gallery has collapsed, so that it now seems just a jagged scar interrupting the smooth transition of history's layers. "It's like...