Word: glassing
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Dates: during 1950-1959
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...Fire Chief Gann L. Nalley, who had ordered fire hoses turned on the mob marching on Central High last month; an explosion shattered Nalley's city-owned red station wagon parked outside his home. A second blast, 33 minutes later and eight miles away, blew in the glass front of an office building housing Little Rock Mayor Werner C. Knoop's construction firm. Five minutes later dynamite thrown through a ground-floor window partially wrecked the Little Rock school district's administrative offices, blew out windows in a nearby Carmelite monastery where 14 nuns were asleep...
...Glass Tower (Bavaria-Filmkunst; Ellis) is a big, bareboned West Berlin penthouse, where Lilli Palmer perches like a trapped pigeon, caught in the dual grip of a possessive husband and a plot as paper-thin as strudel crust. Her husband (O. E. Hasse), a vain, autocratic man of means, sees Lilli as a beautiful confirmation of his success. Along comes a handsome German-American playwright (Peter Van Eyck), who reminds Lilli of her former glory as a great actress, persuades her to star in his new drama about a nun who gets raped. Her psychiatrist decides that "somewhere in your...
German-made Tower is technically first-rate, precisioned as a Mercedes, and German-born Actress Palmer is a suave, consummate performer. The camera ranges so fluently through her glass prison it seems a pity that the action it catches is mostly senseless Sturm und Drang...
...four characters in The Glass Menagerie, the other of Tennessee Williams' two great plays, captured only some of the work's beautiful subtlety and fragility. Once again, the best job was turned in by Frank Langella as the son Tom. The Playhouse then resurrected the famous 1844 play The Drunkard; or, The Fallen Saved, "a moral domestic drama by W. H. Smith and a Gentleman." Marilyn Miller staged the work in period costume and old-school ham acting style; and the result was unflaggingly hilarious. Booing, hissing, and the throwing of peanuts were actively encouraged. A pianist furnished background accompaniment...
Yamasaki took advantage of a long convalescence to go to Japan. He was captivated by what he saw in its architecture: the interplay of light and shadow, the union of building and garden. He came back to cast a jaundiced eye on the serried ranks of glass boxes rising along the main streets of Manhattan and other major cities. "Our life gives promise of being spent in look-alike houses, look-alike automobiles and look-alike buildings," he warned his fellow architects...