Word: glassing
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Dates: during 1950-1959
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...from Comes a Day in Column A below with the plays in which these elements have previously appeared (Column B).* Column A Column B 1. Mother slaves away all day to support her family, even renting out rooms in the big old house, while improvident father boozes. a. The Glass Menagerie 2. Mother clutches about her the fading rags of her social pretensions. b. Picnic 3. Father really loves his children, but he can't communicate with them, can't get through to them. c. Look Homeward, Angel 4. Beautiful young girl has trouble deciding whether to marry for money...
...Glass will be used extensively in the structure; the theatre's west wall and back side will be almost entirely glass. In addition, the auditorium area will be surrounded on the second level with offices, dressing areas, a canteen, and other rooms...
...audiences been canceled?" He received Holy Communion and Extreme Unction from his German Jesuit secretary, Father Robert Leiber, but he peeked at the thermometer when his temperature was being taken and said "non é grave" when he saw it was only 99°. That night he drank a glass of red wine and called for a recording of Beethoven's First Symphony. At 7:30 the next morning, a second stroke left him unconscious. But it took his stubborn body nearly 20 hours...
...less like any one in O'Neill than like O'Casey's Paycock. The consequences are not the same: where at last the Paycock lies sodden among a ruined family, Con, among a rising one, is both broken and reborn-enough Americanized to raise a glass to the plebeian Andrew Jackson. In both plays the character is superior to the action: where in Juno and the Paycock there is too much contrived melodrama for inevitable tragedy, in Poet there is too much lurking farce for great drama. In its half-dozen best scenes, A Touch...
...that the Reynolds Metals Co. asked for was a new set of the most efficient offices they could get, and Gordon Bunshaft, design partner of famed Skidmore, Owings & Merrill, produced a high-efficiency aluminum, glass and steel building, set squarely behind its own private reflecting pool five miles north of downtown Richmond, citadel of the Old Dominion's fanciers of mellow brick, white porticoes and neo-Monticello atmosphere. Reynolds expected furious protests from wave on wave of outraged Virginians. Instead, the distinguished director of the Virginia Museum of Fine Arts, Leslie Cheek Jr., told them that whether they knew...