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Word: glassing (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...apologizing for being a man. Robert De Niro has based his on not apologizing for being an actor. Neither characteristic necessarily qualifies a man to play the lead in an action movie. But when the bullets are flying, the pyrotechnics are booming, and everyone is ankle-deep in broken glass, the guy who knows how to play charm is bound to look disadvantaged next to the one who knows how to play roles...

Author: /time Magazine | Title: Cinema: Is There Life in Shoot-to-Thrill? | 7/25/1988 | See Source »

...Atlanta these days, an entire new neighborhood has been forested with high-rises. Twenty years ago, the Hyatt Regency, the prototype for the new boffo-lobby hotels that were in fashion for a while, was a tourist * attraction, drawing sightseers to look at its 23-story atrium and its glass elevators that went, as they said at the time, "clean through the roof" to a revolving restaurant in a giant blue dome. The Hyatt Regency became the symbol of the city, in the tradition of New York's Empire State Building and San Francisco's Golden Gate Bridge -- so much...

Author: /time Magazine | Title: The Democrats Atlanta: A City of Changing Slogans | 7/25/1988 | See Source »

...West German pavilion is filled by a rambling installation, Unlessness, 1985-88, by Felix Droese, 38. To judge from his materials, which include wooden beams salvaged from warehouses and bridges, oxidized metal, tar paper, dusty broken glass and spindly watercolor drawings, Droese is under the spell of Joseph Beuys and, to some degree, Beuys' former student Anselm Kiefer. He draws with scissors, creating silhouette cutouts (a favorite form of German folk art) on an enormous scale. They make all manner of references to pacifism, to imprisonment and the gallows, to shadow puppetry and children's drawings, and aspire toward...

Author: /time Magazine | Title: Art: The Venice Biennale Bounces Back | 7/25/1988 | See Source »

...English pavilion: a survey of work by Tony Cragg, 39. It issues from a strong and wide-darting imagination. Cragg's sculpture is richly polymorphous, refusing to be pinned down in any style and incorporating such materials as bits of blue plastic scrap, bronze, wood, lab glass, plaster, cogwheels, rubber and sandstone. At times the results look mysteriously vulnerable and reserved, like Silicate, 1988, an array of laboratory beakers and bottles, sandblasted until holes appear in their milky skins. Other pieces are farcical: Code Noah is Cragg's gloss on the perpetuation of genetic traits, a DNA helix made...

Author: /time Magazine | Title: Art: The Venice Biennale Bounces Back | 7/25/1988 | See Source »

Behind a bulletproof-glass partition in a Frankfurt prison courtroom, Lebanese-born Mohammed Ali Hammadi listened calmly last week as a prosecutor read the charges against him. Hammadi is accused of participating in the 1985 hijacking of a TWA Boeing 727 and the killing of U.S. Navy Diver Robert Stethem, 23, who was savagely beaten, shot in the head and then thrown onto the tarmac at Beirut airport. The Reagan Administration sought Hammadi's extradition after his arrest last year at Frankfurt airport, but Bonn refused, partly because of pressure by Shi'ite militants holding two West German hostages...

Author: /time Magazine | Title: West Germany: Terrorism on Trial | 7/18/1988 | See Source »

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