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Word: glazes (lookup in dictionary) (lookup stats)
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Usage:

...PONT SPRAY GLAZE...

Author: /time Magazine | Title: Education: Education, Jun. 20, 1955 | 6/20/1955 | See Source »

...Peter Marshall, Richard Todd is just about terrific. Unsparingly he lays on the hard glaze of the relentless public manner, but never so thick that the warmer luster of the man's heart fails to show through. He even succeeds in preaching considerable excerpts from five sermons-one of them lasts a full 8½ minutes-with such charm that the moviegoer hardly realizes he has just been subjected to the equivalent of a month of Sundays...

Author: /time Magazine | Title: Cinema: New Picture, Apr. 11, 1955 | 4/11/1955 | See Source »

Smiling, his broad peasant's face edged with long black hair, Mao came forward to shake hands with each member of the Laborite delegation; he inquired courteously after their health, and concerned himself whether or not they were enjoying their visit. Amid the City's glaze work and its splendid vases, cups of fragrant tea were served. Then Mao, flanked by the party's chief theoretician, Liu Shao-chi, and by Premier Chou Enlai, began to speak. Before them in a hall where Chinese emperors once received their vassals, Clement Attlee and his Britons settled back into...

Author: /time Magazine | Title: GREAT BRITAIN: Tea & Toasts | 9/6/1954 | See Source »

...torrential river, filmed in Canada's Banff and Jasper National Parks. Director Preminger often contrives to let the audience enjoy everything there is to see by having Marilyn up front and center, looking winsomely at the landscape. The dialogue is sicklied o'er by a philosophic glaze, and Marilyn's reading of some of her more majestic lines has inspired studio publicity men to trumpet the claim that she "unveils a deep emotional insight and a tender dramatic gift never before displayed." Probably much more to the point is Marilyn's own comment on the satisfactions...

Author: /time Magazine | Title: Cinema: The New Pictures, may 17, 1954 | 5/17/1954 | See Source »

Dappled Gleam. Ceramists have long guessed that the purplish Temmoku glazes with distinctive "oil spots" must require a combination of natural clays rich in iron, fused with something like wood ash. If cooled down quickly after baking, such a mixture is shot through with spots or streaks. But while a spotty glaze is the easiest thing in the world to obtain, the Temmoku glaze with a deep, dappled gleam is apparently one of the hardest. The secret of making it has been lost for about 750 years. Experimenting over the past few months with a variety of natural clays...

Author: /time Magazine | Title: Art: Classics in Clay | 7/20/1953 | See Source »

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