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...Eugen Onegin" Fantasia, Waltz from Serenade for Strings, and "Marche Slave," by Tchaikovsky, Prelude in G Minor by Rachmaninoff, Volga Bargemen's Song, Jacchia arrangement, and "Panaderos," Spanish Dance, by Glazounov...

Author: NO WRITER ATTRIBUTED | Title: ALL RUSSIAN PROGRAMME AT POPS CONCERT THIS EVENING | 5/16/1932 | See Source »

...Pops Orchestra, under Arthur Fiedler, will present the following program in Symphony Hall tonight: Military Polonaise Chopin-Glazounov "Midsummer Night's Dream" Overture Mendelssohn "Rosamunde" Entr'acte Schubert "Carmen" Fantasia Bizet Sonatine Transatlantique Tansman "Pavane for a Dead Infanta" Ravel "Nutcrackor" Ballet Suite Tchaikovsky "Show Boat" Selections Kern "Blue Danube" Waltz Strauss Fifth Hungarian Dance Brahms

Author: NO WRITER ATTRIBUTED | Title: AT THE POPS TONIGHT | 6/3/1931 | See Source »

...bearish Russian might have felt doubly honored last week in Manhattan. He received not only a floral wreath, but a lyre made of red and white carnations and inscribed "in the name of American musicians to this Orpheus of Russia." The famed, hulking Orpheus was Alexandre Constantinovitch Glazounov, now making his first visit to the U. S. and appearing last week as conductor of his own works...

Author: /time Magazine | Title: Music: Russian Orpheus | 12/16/1929 | See Source »

Alexandre Constantinovitch Glazounov is the last survivor of the late great Russian school of composition. Born in St. Petersburg 64 years ago, the son of a bookseller, he was taught music by Mily Balakirev and Nicolai Rimsky-Korsakov, both members of the famed Russian "Five."* He himself won early notice with his startling memory. When Alexander Borodin died, the overture to Prince Igor was nowhere to be found, but Glazounov had once heard Borodin play it on the piano and was able to reconstruct it entirely from memory. Aged 16, Glazounov had finished his own first symphony. Liszt liked...

Author: /time Magazine | Title: Music: Russian Orpheus | 12/16/1929 | See Source »

Last week's concert, at Manhattan's Metropolitan Opera House, called for little critical comment. It was a ceremonial affair. Glazounov, like most great composers, is an indifferent conductor. He had only a scratch orchestra at his command. Yet a great audience gathered to pay tribute, arose when he appeared, applauded continually. Similarly was he honored fortnight ago in Detroit. He will appear also in Philadelphia, Chicago and Boston...

Author: /time Magazine | Title: Music: Russian Orpheus | 12/16/1929 | See Source »

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