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Word: gleaming (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Bogey to Norman. This is Vidal's personal notion as well. He firmly believes that the screen, not literature, shaped his generation of writers. "Without Bogart," he says, "there could be no Norman Mailer. Without George Arliss," he adds with a Disraeliish gleam, "there wouldn't have been...

Author: /time Magazine | Title: Books: Myra the Messiah | 2/16/1968 | See Source »

...look smashing in a theatrical, sexy and aggressively individual manner. No longer are clothes meant to fit like a soft, beautifully made glove; instead, they are free and unbinding. No longer do colors blend in a bouquet-like ensemble; it is much more fun to make them clash, vibrate, gleam and sparkle. And if designers don't give them what they crave, youth invent it for themselves...

Author: /time Magazine | Title: Fashion: Up, Up & Away | 12/1/1967 | See Source »

...Mount Holyoke Poet and History Professor Peter Viereck: students "crave the ever more shocking and ever more new. They are looking more for emotional release than purely artistic merit." Verse for edification or moral uplift; he adds, "is totally dead. A poem like Tennyson's Merlin and the Gleam would be the laughingstock of a coffeehouse today...

Author: /time Magazine | Title: Poets: The Second Chance | 6/2/1967 | See Source »

...took two years to assemble his show and visited 300 studios across the country, believes that the key trend emerging from the diversity of his exhibit is the artist's increasing rapport with and involvement in advanced technology. Larry Bell's clear, untitled glass boxes, for example, gleam like mother-of-pearl, thanks to optical coating methods developed by industry technicians. Many other works were assembled by technicians from artists' instructions or, like the Samaras Corridor, built by museum craftsmen working from the artists' blueprints...

Author: /time Magazine | Title: Sculpture: White Wings in the Sunlight | 5/12/1967 | See Source »

Beclch, by Rochelle Owens. Whether bright or dim, there are more lights in the theatrical firmament than those that gleam on the marquees on Broadway or off. Last week Philadelphia was host to a new drama of serious intent. As the playgoer enters the Theater of the Living Arts, he hears a soundtrack from nature as raucous and insidious as the din of city traffic. Cockatoos screech and hippopotamuses snort. Over the stage stretch tangled plastic vines. On the walls are murky film blowups of lions, elephants and monkeys. A combination of bamboo palace and automobile graveyard...

Author: /time Magazine | Title: Theater: Blood Pudding | 2/10/1967 | See Source »

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