Word: gleamingly
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...still lives, Untitled (Beans) and Untitled (Sausage and Potatoes), Wols takes his subjects out of our world, while retaining their physical presence (the shine of an overboiled potato, the turgid undulations of a bean's matte surface) and signifiers of the setting (the rounded edge of a table, the gleam of a pan's lid). More alive than the subjects of his portraits, the beans commune and swarm, the potatoes and sausage hold a brief rapport. He destroys the world we know these objects from and conjures another in its place. The foodstuffs occupy a distinct and independent reality: familiar...
...lives, Untitled (Beans) and Untitled (Sausage and Potatoes), Wols takes his subjects out of our world, while retaining their physical presence (the shine of an over boiled potato, the turgid undulations of a bean's matte surface) and signifiers of the setting (the rounded edge of a table, the gleam of a pan's lid). More alive than the subjects of his portraits, the beans commune and swarm, the potatoes and sausage hold a brief rapport. He destroys the world we know these objects from and conjures another in its place. The foodstuffs occupy a distinct and independent reality: familiar...
...being the No. 1 contender and being mistreated as champion. All I ever heard were these pieces of the foundation of a great American--the traveling on boxcars and sleeping where he could. On the night he won the Light-Heavyweight Championship but no money, there was that gleam in his eyes. When he uttered the word champion, that made me, too, want to be a champion. Working for me and other boxers, he made it clear: "I love God, my family, and I will love you if you work hard." So Archie laid the foundation, and today he stands...
...tabloid intrigues of the British royals. From Shakespeare to Lewinsky, Napoleon to The Godfather, few things are as enthralling as the machinations of power: trying to seize it, trying to keep it, losing yourself in it. In its best moments, Shekhar Kapur's new biopic Elizabeth fascinates with the gleam and glamour of the very, very powerful. Though its Elizabethan Godfather pulp style strains the limits of historical revisionism, the spectacle of young Elizabeth's entrance into imperial power has its undeniable pleasures...
...doubtless imagine just how strenuous an effort--much of it shot in raked angles and presented in quick cuts by director Tony Scott--is required of Dean to get his life back and his tormentors chastened. You can probably imagine, as well, the gleam, sheen and extensiveness of the high-tech machinery that a well-endowed bureaucracy can deploy to torment a citizen on which its baleful eye has fallen. You may even be able to predict the chipper amorality of the techies manning the keyboards and terminals. What do they care about ends when the means...