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...John Adams, the young and vibrant adopted father of the Harvard Glee Club, is the real father of the Collegium Musicum, which he established in 1971. In the late 60's the Radcliffe Choral Society dissolved, leaving women without a chorus in which to sing, since the extant Glee Club has traditionally been all-male. This lack provoked a number of women to recruit some men--and form a splinter choral group which ultimately would serve two crucial functions: it would operate as a vehicle for women to exercise their vocal cords and as a medium by which some...

Author: By Judy Kogan, | Title: Mostly Mozart From This Mixed Chorus | 11/18/1976 | See Source »

...blues shouter, but for the most part he sings in his distinctive black/white style, which occasionally echoes Paul McCartney or Ray Charles. The broad range of musical styles is equally absorbing: those Beatlesque strings in the austere Village Ghetto Land, the swinging blues underpinnings of Black Man, the Latin glee of Another Star. As Stevie puts it in his Ellingtonian tribute Sir Duke, "Music is a world within itself/With a language we all understand." Stevie's many fans would undoubtedly agree...

Author: /time Magazine | Title: Show Business: Jumping Jamboree | 11/15/1976 | See Source »

...horde of West Point plebes), that he would root for Yale. Chance, or luck, however, placed a particulalry vitriolic Yale fan behind us who insisted on labeling every member of the Harvard squad as a bum, without discriminating between one player or the next. Harvard misfortune produced more glee. My father endured through close to four quarters of the Yale partisanship behind us, until the last few moments when I noticed he had begun to cheer for Harvard. When Mike Lynch kicked his famous (or infamous) field goal my father turned around and winked at the glum Yale...

Author: By Jefferson M. Flanders, | Title: It's a Family Affair | 11/13/1976 | See Source »

...could be argued that Carrie is, finally, just another idle, if entertaining, exploration of the psychic world, yet an other trip through country similar to that traversed in The Exorcist and The Omen. But there is a pointed glee in De Palma's satirical vision of high school society, an oddly compelling power in his juxtaposition of the banal and the awesome moving unsuspected amidst it. The moral reckoning to which that all leads may be curious, but it is surely cautionary. In any event, the journey to that reckoning is an exercise in high style that even...

Author: /time Magazine | Title: Cinema: A Movable Feast | 11/8/1976 | See Source »

...however, the movement of and non-verbal sounds issuing from the actors are fascinating. Director Kerry Konrad has blocked the episodes gracefully, and the crew of bodies (for they are more symbols than individuals) performs with relish and coordination. The multi-headed snake projects a refreshing sense of comic glee while outwitting Eve. Transitions between scenes pose bemusing riddles as the limp, floored torsos of the actors ease into new being. One puzzles over the nature of their metamorphoses, wondering if they are stirring into yawns or anguished gapes; labored breathing or sensual sighs; pained squirming or the muscle-stretching...

Author: By Anemona Hartocollis, | Title: Seeing is not Believing | 10/23/1976 | See Source »

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