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...most prominent issue raised about performance--what place should faculty members hold in student music groups--now appears near resolution. Both Archibald Davison and G. Wallace Woodworth directed the Glee Club as invited unofficial advisors; the Harvard-Radcliffe Orchestra prized its independence from the faculty and paid as well as appointed its own conductor. But a move for closer collaboration came to a head when the directorship of the Glee Club changed hands, and Elliot Forbes arrived as the first music professor to both conduct and teach...

Author: By William A. Weber, | Title: Scholars and Performers | 2/10/1962 | See Source »

Music for Sing to Me Through Open Windows was composed by Thomas G. Beveridge '59, who was chosen "class odist." He is also the writer of a one-act opera which was produced here and later shown on WGBH-TV. While at Harvard, Beveridge was pianist for the Glee Club...

Author: NO WRITER ATTRIBUTED | Title: 'Oh Dad' Will Run in New York; Kopit's Play Stars Jo Van Fleet | 1/29/1962 | See Source »

...undergraduate affairs, Pusey cited the Glee Club's tour to the Far East last summer, Peace Corps activity, and Project Tanganyika, which sent 20 students to Africa last summer to teach...

Author: NO WRITER ATTRIBUTED | Title: Pusey Reports Trend at University Towards Interest n Whole World | 1/19/1962 | See Source »

Harvard College figures in several recent Christmassy records. The renowned E. Power Biggs can be heard playing Twelve Noels by the eighteenth-century French composer, Louis Claude Daquin on the reedy, mock-sixteenth-century Flentrop Organ in the Busch-Reisinger Museum (Columbia ML 5567). And the Harvard Glee Club has recorded on a local label a handsome selection of the more worthwhile Christmas carols--Volume I (Cambridge Records CRS-401), for instance, includes Vaughan Williams' arrangements of the Gloucestershire and Yorkshire Wassails, "Lo, How a Rose," Gustav Holst's Personent Hodie, the sussex Carol, and "The Holly...

Author: By Anthony Hiss, | Title: Old 'Crimson's' Guide to Christmas Cheer | 12/20/1961 | See Source »

...unlike Mozart, Stravinsky's setting of three Latin psalms is angular, harsh and massive. The chorus is made to sing heavy, declarative lines, which must, for a performance to succeed, be delineated and articulated with considerable precision. And last night under Mr. Senturia's direction, the Glee Club and Choral Society sang the Psalms impeccably. Their tone, full and fortunately wholesome, was rigidly controlled throughout, attacks were impressively clean, and self assured...

Author: By Anthony Hiss, | Title: Christmas Concert | 12/16/1961 | See Source »

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