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...films of Edward D. Wood Jr. used to be just the old kind of bad. Wood's transvestite tale Glen or Glenda (1953) made a stir with "The Strange Case of a 'Man' Who Changed His Sex!" -- though actually Glen only wanted to change his frocks. But Jail Bait (1954), Bride of the Monster (1955), Plan 9 from Outer Space (1956), Night of the Ghouls (1958) and The Sinister Urge (1961) went right into the commode. "Ed was a loser in my book," says the B-movie mogul Samuel Z. Arkoff. "Fundamentally, there were just too many things deficient...

Author: /time Magazine | Title: The World's Worst Director | 6/1/1992 | See Source »

...stirred in sessions every bit as much as are those of patients. Sometimes those emotions shift onto the client, a process called countertransference. When a woman counselor takes up with a male patient, the impulse is often a "fantasy that love will cure the patient," says psychiatrist Glen Gabbard of the Menninger Clinic, who points to the romance between the therapist played by Barbra Streisand and Nick Nolte's character in The Prince of Tides. "The movie would have you believe that what was helpful to him was her love for him, not her professional expertise...

Author: /time Magazine | Title: Did His Doctor Love Him to Death? | 4/13/1992 | See Source »

...cartoon is a musical , but the soundtrack lacks luster. Even Glen Campbell's voice cannot redeem the tuneless, beatless songs. The grade of animation is maybe one step above Saturday morning cartoons but nowhere near the vivid imagery of Beauty and the beast...

Author: By Suchurita Mulpuru, | Title: Don't Rush to This Fowl Film | 4/9/1992 | See Source »

...five-year-old association with chapters in 15 local colleges, selected Christopher H. White '94 as president and Glen M. Bianchi '94 as secretary during a meeting in Boylston Hall Saturday...

Author: By Laura M. Murray, | Title: College Dems Elect Leaders | 3/2/1992 | See Source »

...opening recitative depicts Ariadne's awakening on the beach at Naxos, and the swelling figure in the fortepiano is powerfully evocative of the rising of the "rosy dawn". They recall the opening bars of the "Creation" and their evocation of the primeval chaos. Glen Wilson's playing is tightly controlled here, and Carolyn Wilson's entry achieves the innocent tentativeness of a newly awakened victim of infidelity that Haydn's setting of the text seems to prescribe...

Author: By John D. Shepherd, | Title: Haydn and More Haydn...Joseph, that is | 2/27/1992 | See Source »

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