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Word: glenda (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...TRIPLE ECHO finds Glenda Jackson waiting out World War II on a tumbledown farm deep in the English countryside. Her husband is a P.O.W. in Japan, so she takes a lover, a young soldier (Brian Deacon) who so enjoys her company and so dislikes the army that he deserts. To explain his presence to the curious townspeople, and to thwart suspicion in general, Jackson dresses her lover up as her sister and has him doing the chores in drag. He resists at first, but then comes to like it a little, enough to accept a Christmas-dance date with...

Author: /time Magazine | Title: Cinema: Quick Cuts | 11/19/1973 | See Source »

...MIchael Apted is so concerned with making the oddness of the script believable that he never really takes advantage of it. The movie is never weird or funny enough, never frightening or suspenseful. It does not seem especially outlandish either, which is another mistake. Even kinkiness is academic here. Glenda Jackson seems impatient, while Oliver Reed goes about with his cheeks puffed out, as if taking a sobriety test with an imaginary balloon...

Author: /time Magazine | Title: Cinema: Quick Cuts | 11/19/1973 | See Source »

...Touch of Class. Sometimes fun. Glenda Jackson and George Segal in a film that can't decide whether to place itself in the thirties or the seventies, as far as sex roles are concerned. Jackson is a divorced English dress designer, and Segal is a confused American (aren't we all?). Charles. 2-10, every 2 hours...

Author: NO WRITER ATTRIBUTED | Title: the screen | 9/21/1973 | See Source »

...Touch of Class. Sometimes fun. Glenda Jackson and George Segal in a film that can't decide whether to place itself in the thirties or the seventies, as far as sex roles are concerned. Jackson is a divorced English dress designer, and Segal is a confused American (aren't we all?). Charles. 2-10, every 2 hours...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/31/1973 | See Source »

...GLENDA JACKSON (Touch of Class) and Liv Ullmann are two of the finest actresses around. Their major roles include many of the recent years' more sensitively handled women's leads, so it's more than disappointing to see them choosing these roles. More so with Ullmann, because she's just arrived in Hollywood, the first of Ingmar Bergman's leading actresses to work in this country. She can't handle a minor character: she tries to infuse her role with all the drama of Persona, but it can't stand the strain, and all she achieves is incongruity. Jackson...

Author: By Richard Shepro, | Title: 3 Too Easy Pieces | 7/20/1973 | See Source »

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