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...TRIPLE ECHO finds Glenda Jackson waiting out World War II on a tumbledown farm deep in the English countryside. Her husband is a P.O.W. in Japan, so she takes a lover, a young soldier (Brian Deacon) who so enjoys her company and so dislikes the army that he deserts. To explain his presence to the curious townspeople, and to thwart suspicion in general, Jackson dresses her lover up as her sister and has him doing the chores in drag. He resists at first, but then comes to like it a little, enough to accept a Christmas-dance date with...

Author: /time Magazine | Title: Cinema: Quick Cuts | 11/19/1973 | See Source »

...Touch of Class. Sometimes fun. Glenda Jackson and George Segal in a film that can't decide whether to place itself in the thirties or the seventies, as far as sex roles are concerned. Jackson is a divorced English dress designer, and Segal is a confused American (aren't we all?). Charles. 2-10, every 2 hours...

Author: NO WRITER ATTRIBUTED | Title: the screen | 9/21/1973 | See Source »

...Touch of Class. Sometimes fun. Glenda Jackson and George Segal in a film that can't decide whether to place itself in the thirties or the seventies, as far as sex roles are concerned. Jackson is a divorced English dress designer, and Segal is a confused American (aren't we all?). Charles. 2-10, every 2 hours...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/31/1973 | See Source »

...GLENDA JACKSON (Touch of Class) and Liv Ullmann are two of the finest actresses around. Their major roles include many of the recent years' more sensitively handled women's leads, so it's more than disappointing to see them choosing these roles. More so with Ullmann, because she's just arrived in Hollywood, the first of Ingmar Bergman's leading actresses to work in this country. She can't handle a minor character: she tries to infuse her role with all the drama of Persona, but it can't stand the strain, and all she achieves is incongruity. Jackson...

Author: By Richard Shepro, | Title: 3 Too Easy Pieces | 7/20/1973 | See Source »

...formula is certainly familiar, but the reaction, in this case, has unexpected impact. The husband is George Segal, by far the most deft American actor of light comedy, as he proved recently in Paul Mazursky's Blume in Love (TIME, June 25); the divorcée is Glenda Jackson, whose virtuosity and energy dazzle. Together they make an elegant pair of amorous antagonists, their smooth skills bringing great fun and fresh surprise to the sort of material that can always use a good professional refurbishing...

Author: /time Magazine | Title: Cinema: Cat and Mouse | 7/2/1973 | See Source »

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