Word: glenda
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...person of the slightest moral stamina, it ought not to be laughable to see two low fellows trying to drown a middle-aged man, supposedly sick, in a swimming pool. Yet this scene is very funny. So are the results when the villains, now desperate, hire Genevieve (Glenda Farrell) to excite J. J.'s passion, hoping the rise in blood pressure will kill him. But Genevieve falls in love with J. J., divulges the plot and J. J., seriously ill, backs the show with Norma, still unable to sing or dance, playing the lead...
Today and tomorrow the University management offers you "We're in the Money," featuring Joan Blondell, Glenda Farrell, and Hugh Herbert, along with Shirley Temple in "Curly...
Dolores Del Rio is definitely a beautiful lady. Pat O'Brien is said to have good points. Edward Everett Horton can be quite amusing. Busby Berkeley has been known to create clever choral monstrosities. With the above ingredients, tempered by a dash of Glenda Farrell, we have "Caliente" which aims to be a heady cinematic cocktail; it should be no shock to learn that like mice and men, movie magnates are also visited by the ganging agley of plans. In short: "Caliente" misses fire...
...Brien is editor of "Manhattan Madness," ultra smart New York periodical. He has been snagged by the Glenda Farrell marital hooks. Horton who owns the magazine attempts to solve the problem by moving O'Brien's alcoholized carcass to Caliente. Here the boys meet Miss Del Rio who dances and has a grudge against O'Brien on account of an uncomplimentary review he once gave her. She takes her revenge by falling in love with him and he reciprocates in his sophisticated way. Amid all this there is the intermittent byplay of Berkeley creations and guitar music...
...nothing happens-a practically perfect formula. The set-up is Edward Everett Horton, Dolores Del Rio and Pat O'Brien, behaving with notable insincerity among a lot of puzzling yellow stuff which O'Brien finds to be Mexican sunlight. There are two menaces. One is a blonde (Glenda Farrell) who wants to marry O'Brien. The other is a comment which O'Brien, as editor of a magazine called Manhattan Madness, embodied in a review of a bygone but unforgotten New York recital by Espanita (Del Rio): he referred to her dancing as the progress...