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...washed up with the producers when Ruby Keeler convinces him he needs a partner. The way she convinces him is the most satisfying but of tapping we've even seen. The story is their fight to get back to Broadway, and, in itself it furnishes no little interest. Glenda Farrell a girl who hasn't disappointed us yet, gets some good lines as Al's wisecracking sister. Helen Morgan sings well, and goes over too, despite the fact that she's the villainess of the piece...

Author: By C. C. G., | Title: THE CRIMSON PLAYGOER | 4/20/1935 | See Source »

Hugh Herbert, William Gargan, Joan Blondell, Glenda Farrell, and Bert Roach make the feature picture really funny. It's all about a tooth paste war which can be an interesting war with Joan Blondell and William Gargan cutting each other's throats. Hugh Robert continues his excellent screen career as an inventor. This time he makes "Cocktall Toothpaste," an ides which has an insidious resemblance to Maurice Chevalier's liquorized chewing gum in "The Big Pond." The ides theft can be condoned, however by the magnificence of Mr. Herbert's acting...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Playgoer | 4/13/1935 | See Source »

...story which these production numbers interrupt, more witty and ingenious than its predecessors, shows a pair of rascally theatrical entrepreneurs (Adolphe Menjou and Joe Cawthorn) engaged in fleecing a stingy dowager (Alice Brady) who hires them to produce a charity show on a shoestring. Dick Powell, Glenda Farrell, Frank McHugh, Hugh Herbert and Dorothy Dare appear in their usual capacities, help put the production on a grander scale than anything ever seen outside a Warner sound stage. Trick shot: an unidentified tap dancer's feet photographed from below, through a glass floor...

Author: /time Magazine | Title: The New Pictures: Mar. 25, 1935 | 3/25/1935 | See Source »

...charm and appeal. He is supported by winsome Gloria Stuart, who seems to grow more beautiful in each succeeding picture. Adolphe Menjou takes the part of the eccentric producer who displays more loquaciousness than money to Grant Mitchell, the irate manager of the ultra fashionable Wentworth Plaza resort hotel. Glenda Farrell again inherits the role of the gold-digger who sets her cap for Hugh Herbert, an idle multi-millionaire with a penchant for writing monograms and collecting antique snuff boxes. Alice Brady, as the close-fisted millionaire mother of Gloria Stuart and Frank McHugh, does her acting...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Playgoer | 3/16/1935 | See Source »

Paramount and Fenway: "Our Dally Bread"--King Vidor's bold and excellent interpretation of the current of things social and economic. Depicts the back-to-the-farm movement in a moving and vivid style. Also "Kansas City Princess"--Joan Blondell and Glenda Farrel in another of their mildly amusing and risque pictures...

Author: NO WRITER ATTRIBUTED | Title: Merry-go-Round | 10/20/1934 | See Source »

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