Word: gli
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Dates: during 1990-1999
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...beats will be the most prominent and experimental aspect of the album. The first song, "Rolling," opens with drummer Yuval Gabay pounding a quick, charged drum and bass beat, followed immediately by stand-up bassist Sebastian Steinberg's entrance with low bowed bass notes as keyboardist/sampler-man Mark Di Gli Antoni inserts an eerie, ambient synth line. Electronica is slowly creeping into their homemade style, creating an effective menagerie of beats. Gabay seamlessly incorporates jungle and drum and bass beats throughout the album under Doughty's sung funk-poetry. British drum and bass master Optical (who has mixed for, among others...
Most riveting, though, is the keyboard and sampling of Mark De Gli Antoni. Moving from swing music to random movie quotes (the prevailing fad of alternative music today), he contributes to the measured chaos of Soul Coughing. This is a sound that won't create a Dead following, or break into the mainstream a la Hootie (and who would want to?), but it will captivate club audiences and generate some fine bootleg tapes to exchange for that DMB at UVA concert...
Soul Coughing consists of M. Doughty as singer and occasional guitarist, Sebastion Steinberg on upright basses, M'ark De Gli Antoni handling the keyboards and samples, and Yuval Gabay on drums. Their music is a blend of very danceable bass and keyboard sounds and samples with surreal, beat-like vocals by Doughty. On the tune, "Sugar Free Jazz," for instance, "They normalize the signals and you're banging on freon,/Paleolithic eons, put the fake goatee on/and it booms as cool as, sugarfree jazz...
...losing two non-conference games at the GLI, Harvard didn't help its post-season aspirations. "You don't get that many chances to prove yourself in outside [conference] games," Harvard Captain Kevin Sneddon said...
While Hands enjoyed his GLI memories, he said he wouldn't switch places with the players...