Word: glick
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Dates: during 1960-1969
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...just before 1 a.m., any 1 a.m. from Monday through Saturday, and the din from the next-door Bowladrome has died away when Larry Glick climbs to the second-floor studio of Boston's WMEX ("the ever-new Wee-Mex, Home of Modern Radio"), eases himself into his chair, its torn plastic cushion oozing sponge rubber. Around him are ashtrays half-filled with cigarettes left by the daytime rock 'n' roll D.J.s. Staring at him is the control panel held together with electrical tape. On the scarred horseshoe table sits a six-line beige telephone, equipped with...
...right. Just as right as it can be. Ladies and gentlemen, you're tuned to the new WMEX in the new Boston. The station in a growing Boston, headquarters for the nighttime Glicknics. A Glicknic is a thing called happiness, and happiness is a thing called Larry Glick...
What Makes Sammy Run? is the musical saga of Sammy Glick, who progresses, like a good heel should, from cutting corners to cutting throats. But since the book came out in 1941, something unsettling has happened to the heel; now the question is whether he should be scorned for his gall or admired for his How-to-Succeed spunk, shunned as a social leper or respected as a social dynamo. When the Sammy Clicks and Harry Bogens (I Can Get It for You Wholesale) first appeared in novels, the socio-economic climate was troubled, and heels were regarded as products...
People are consumer products to Sammy Glick, and when he has consumed enough-script writers, girl friends, studio chiefs-he reaches the projection room at the top of World Wide Studio. At musical's end, he is faced with the topman cliché: "You're all alone, Sammy Glick." As Sammy, Steve Lawrence moves with the wary savage grace of a jungle cat, and when he claws, he claws. Bernice Massi, the banker's daughter Sammy marries, matches him in velvety ferocity. In a subplot romance, Robert Alda and Sally Ann Howes seem to be going through...
...plays Lady Macbeth. The dialogue is more quippish than witty, but the hip mass-media-men-at-work lingo scatters the laughs over an occasional drab patch of script. The life of the play is in the instinctive mendacity of its con-man hero. The Albatross flies where Sammy Glick once...