Word: glick
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Dates: during 1960-1969
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...nine movements of Le Marteau, Boulez presents three poems through the voice (Bethany Beardslee) and comments on them instrumentally. In each of the nine movements, Boulez uses a different ensemble chosen from the voice, alto flute (Harvey Sollberger), viola (Jacob Glick), guitar (Stanley Silverman), vibraphone (Paul Price), xylophone (Raymond Desroches), and percussion (Max Neuhaus). The texture of the sound is always clear, sometimes shimmering, sometimes punctiform, and always changing. With the flexibility of tempi and timbre goes an obvious fixity of notes and rhythmic patterns; certain intervals and rhythmic groupings recur constantly. And with all this planning, with all this...
...smiled just then, but fellow actors generally like Bobby Morse too-when they are not working too close to him. He is more Penrod than Sammy Glick. Up and down the Rialto, he first-names doormen and kisses headwaiters in theatrical hangouts. He even kisses Producer David Merrick. He has jumped up from a restaurant table to blaze away at imaginary badmen with an imaginary six-shooter. On one memorable occasion he turned a chocolate mousse upside down on his head...
Winners of the Frederick Sheldon Prize Fellowships for travel anywhere in the world are: Meredith M. Brown of Eliot House; Thomas H. Glick of Leverett, E. Wesley Hildreth of Kirkland, and Robert M. Torrance of Adams...
...What Makes Sammy Run (NBC, 10-11 p.m.). A welcome reprise: the second half of Budd Schulberg's dramatized novel, with Larry Blyden as Sammy Glick, the slum boy who becomes Hollywood's archetypical heel...
...What Makes Sammy Run (NBC, 10-11 p.m.). A worthwhile repeat: the first half of Budd Schulberg's dramatized novel, with Larry Blyden as Sammy Glick, the slum boy who becomes Hollywood's archetypical heel...