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Word: glimmerings (lookup in dictionary) (lookup stats)
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...KNACK is a fantastically droll British bedroom farce played out in an all-but-bare room. If one can imagine three perplexed and, at times, almost pathetic Marx Brothers chasing a plump country girl, with the cry of "Rape!" punctuating the air like "Tallyho!", one gets a glimmer of Playwright Ann Jellicoe's comic instincts...

Author: /time Magazine | Title: On Broadway: Jun. 19, 1964 | 6/19/1964 | See Source »

WAITING FOR THE END, by Leslie Fiedler. In one of the most infuriatingly quotable books of the year, the angry professor finds signs of the apocalypse in homosexuality, pseudo-Zen, youth cults, U.S. Presidents, and most of all in current fiction. The only glimmer of hope Fiedler can find is the excellent state of U.S. poetry; he might have added criticism, of which he is one of the brightest younger lights...

Author: /time Magazine | Title: Television: May 22, 1964 | 5/22/1964 | See Source »

...Easter and the Totem, he paired a budding lily with a brown bullet totem that juts into the canvas from the left. He painted The Deep, a blinding flutter of butterfly wings which gape apart to reveal a fissure roiling like some hellish furnace. It was a fiery glimmer into...

Author: /time Magazine | Title: Art: Beyond the Pasteboard Mask | 1/17/1964 | See Source »

...Saxophonist Marshall Royal, Trumpeter Snooky Young and Guitarist Freddy Green are all heartfelt blues soloists. Bassist Buddy Catlett, the band's newest member, gives the whole orchestra a subtle and highly advanced sense of rhythm. Keenly aware of all these virtues, Basie never lets his audience get a glimmer of the solemn musicianship behind them. "Now a little foot-pattin' music," he announces happily. Then he sits down and sizzles away into the glass-toned jazz arrangements his band alone can play...

Author: /time Magazine | Title: Jazz: Homage to the Count | 1/10/1964 | See Source »

...final scene flickering with pathos, he breaks down and asks: "Was it because you hated me? You couldn't stand me?" Half-mockingly, Thérèse replies: "It was because of your pines ... I wanted them for myself. Perhaps it was to see a glimmer of uncertainty in your eyes." Author Mauriac, who wrote the dialogue for this first screen adaptation of his work, supplies no simple answer. A connoisseur of human corruption, he peoples his novels with characters sidetracked by evil in their blind search for God. On film, Thérèse seems likely...

Author: /time Magazine | Title: Cinema: High-Power Potion | 11/22/1963 | See Source »

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