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Word: glissando (lookup in dictionary) (lookup stats)
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...Dream,” a 1935 tune which Elling quickly belted out, as if to get the words over with, then carefully leaned into notes, producing a searing, rich sound like an alto saxophone. Carter, on the other hand, rollicked over her melody with a slight glissando. At the same time, her raw, grainy sound evoked the subtle sadness and melodic cry of the human voice, which provided a nice counterpoint to Elling’s precise pitch placement...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

...musical language of the “Cello Concerto” is rooted in the European avant-garde tradition, yet it is also packed with references to Korean folk music. Techniques such as pizzicato and the use of glissando echo instruments native to Korea...

Author: By Eric W. Lin, CONTRIBUTING WRITER | Title: Rare Trip to North Korea for Cellist Koh | 10/5/2006 | See Source »

...electroacoustic/minimalist/drone weirdness, including a bunch of long-out-of-print or unreleased records. Lately I’ve been listening to a lot of their stuff, especially a series of Tony Conrad compositions that he made in 1969 with a sine-wave oscillator called “Fantastic Glissando.” My roommate Josh thinks it sounds like a plane taking off. Table of the Elements has also released a 2-CD set of Tony Conrad’s 1972 collaboration with the Krautrock band Faust called “Outside the Dream Syndicate,” and it?...

Author: By Lucy F.V. Lindsey, CRIMSON STAFF WRITER | Title: Eavesdropping: What Harvard's Playing | 4/22/2005 | See Source »

...Sing the word ‘toad,’ beginning on a low pitch (for your range) and instantly sliding up in pitch in glissando (like a siren...

Author: By Madeleine Bäverstam, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Wind Ensemble Takes It to the T | 3/14/2005 | See Source »

...Portraits in Blue, Roberts gives Gershwin's material the full post-Armstrong treatment; simply put, he makes it swing. Even the famous opening--the skyward clarinet glissando--is given a new twist. Roberts instead starts the piece with what he calls "a series of improvised statements," the first being the forlorn sound of a single banjo. Gershwin's 1920s piano rolls have set a high standard for pianists to follow, but Roberts' performance on this CD adds some graceful verve. His fleet-fingered improvisations--constant, probing, thoughtful--provide color to an already multihued work without seeming merely ornamental. After hearing...

Author: /time Magazine | Title: MUSIC: SHADES OF BLUE | 6/17/1996 | See Source »

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