Word: glissando
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...anchor on the Today show and a closet accordion player, assaulted her audience with a blunt instrument rendition of the dreaded Lady of Spain. No earthquakes were reported, though the performance succeeded in further sinking the show's shaky Nielsens, while Norville's personal Richter rating slid glissando-style to C below low A, somewhere to the left of the keyboard...
...with the idea that the essay is a variety of "conversational writing." Unshackled, Hoagland converses recklessly, wildly, an abundance of critical detail and blinding enthusiasm fueling his abrupt transitions from present to past, subject to self, city to countryside. As Hoagland charges about from topic to reflection to stylistic glissando, we find, as observed critic Geoffrey Wolff, that "it is impossible to know (but easy to feel) what the essay is 'about.'" Hoagland, ablaze in a trail of Pickwickian serendipity, is the sympathetic purveyor of black bears, red wolves, and city rats; he records the folk lore of early settlers...
Just as Kushnick experiments with sounds and perceptions, Jeannie Lieberman sees herself as "a psychic emotional jiggler" who asks herself "deep root questions," and expects the listener to do the same. She uses her voice as an instrument, experimenting to discover the right texture, color and feel. The rising glissando in the second verse of "Velvet Sportcoat" abruptly alters the mood set by the song's first verse, and underscores the words: Haze like juice spilled slowly formless/Scent of citrus in my ears." In one of Johnson's compositions, "Instrumental," Lieberman makes bird like sounds that are almost primal...
...floor on her bottom like a geometric snake, slithering effortlessly upward, feet first and legs spread, over Cragun's waiting shoulders. Tetley amazingly seems to have taught his dancers how to bow their hips into trompe l'oeil convex forms. The two couples slide through a visual glissando of sexual exercises so explicit yet so subtle in execution that the intimacies never shock -except perhaps with the revelation of the extreme possibilities of what a dancer's body can be made...
...guitarists to rely consistently on the lower registers of his guitar. "Don't Want to be Alone" another original, opened with some lower register, bass string single picking, until he found a riff that pleased him. Beck also tends to work off one riff until he tires. A large, glissando chord took the band into Dylan's "Tonight I'll be Staying Here With You." Carmine Appice's vocal was strained a bit, but the guitar work brought the song off. Beck has learned to achieve a double-tracked guitar sound by working in the middle registers of his fretboard...