Word: glittered
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Dates: during 1950-1959
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...white background with two black lines. He was moving toward more complicated designs when, with World War II inevitable, he went first to London, then in 1940 to New York, where he finished his study in balanced imbalance, Place de la Concorde (see color page). Entranced by the glitter of Manhattan, he then set to work on his last two major paintings, Broadway Boogie-Woogie and the unfinished Victory Boogie-Woogie, which sparkled with segmented, syncopated color. They made a bright closing movement to Piet Mondrian's multi-variations within the rectangle, a constant, single theme, which Biographer Seuphor...
...cinemoguls once frothed when Lana Turner let slip to an interviewer that she had five TV sets, and Beverly Hills Furrier Al Teitlebaum had a customer who, aspiring to dramatize his contempt, ordered a TV set covered in skunk fur. Now TV sets glitter within Romanoff's and during lunchtime in the executive dining rooms of major studios, where the executives claim they use TV for casting ideas. Jack Benny has seven sets. TV exerts such a spell on movie stars-especially when it happens to be showing their old films-that it has rendered the movie colony housebound...
...high drama a breathless hush pervades the air of Poussin's painting. The artist's delight was in the spacious landscape, towering Alban hills, the pleasant villa under blue skies and the rich glitter of jewels and armor. The painting keys perfectly to Poussin's own view of himself: "My natural disposition forces me to seek and cherish orderly things, avoiding confusion which is as contrary to my nature as is light to obscure gloom...
...writing has neither period gloss nor better-than-period glitter, and Tyrone Guthrie's staging shows best in small touches. As long as the title role keeps to a bright musicomedy level, with the Regent preening himself, or riding a rocking-horse, or struggling with his stays, Walter Slezak's Regent has all Walter Slezak's mischievous charm. But, for all Actor Slezak's avoirdupois, the characterization lacks body because of the writing. With its famous characters and historic occasions, the play is fun enough to look at, but wearisome to listen...
...most experienced craftsmen of the musical comedy industry, George Abbott, has provided the book and the direction. The music and lyrics by Bob Merrill, as well as Bob Fosse's choreography, are workmanlike, and Rouben Ter-Arutunian's sets provide the required amount of variety and glitter. And for the touch of glamor that looks good in the ads, there is the star, Gwen Verdon. As a result of the combined reputations of all these people, the vehicle ought to glide smoothly through a year's run on Broadway. It's only too bad that somewhere along the assembly line...