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...image of the firebird is one of the best known in ballet: a ballerina in a fantastical costume of glitter and feathers soaring through space in split leaps. The firebird most people have in mind, unconsciously or not, is Maria Tallchief, for whom George Balanchine created a dazzling version of the Stravinsky score in 1949. But Balanchine was not Stravinsky's first collaborator. In 1910 the composer and Choreographer Michel Fokine had worked out their conception at the piano...

Author: /time Magazine | Title: Dance: The Firebird: A Hop into History | 5/9/1977 | See Source »

Sweetness of Touch. Light, considered as a sign of divine immanence, fascinated Ensor. It gives a special tension to his skeleton pieces, mask paintings and the street scenes of his best years, from about 1885 to 1900: glitter and death, dark subjects and brisk high tones. The brutally emphatic imagery was created with a disconcerting sweetness of touch. Skeleton Painter in His Atelier, 1896, typifies this: the surface is almost as pretty as a Bonnard (though not nearly so well painted), and the very fact that Ensor was not trying to use illusionist tricks to convince viewers of the skeleton...

Author: /time Magazine | Title: Art: Ensor: Much Possessed by Death | 3/7/1977 | See Source »

...CASANOVA" and fantasize. An irresistible cock, glitter, a leopard voice, suave and strong--these fragments make a fantasy character out of adult fairy tale. Casanova stands for the Prince Charming of sex, the man whom all women can have but none can hold, the supreme stud who infallibly provides the ultimate fuck. Everybody knows just enough about the courtly playboy to create such a puppet; few have enough information to flesh out a human individual, Giacomo Casanova of Venice. For art and imagination's sake, so much the better; a real person is too eccentric to be the plaything...

Author: By Eleni M. Constatine, | Title: A Golden Cock | 1/24/1977 | See Source »

Around holiday season, stocking-stuffer items like The Slipper and the Rose usually show up, all covered in glitter and good will. These gaudy little baubles are easy enough to tolerate in the floodtide of fellowship that ebbs and flows around Christmas. Holidays are over, however, a cold wet January is upon the land, and The Slipper and the Rose lingers on, looking as foolish as Cinderella hotfooting it out of the palace as her ball gown turns to rags...

Author: /time Magazine | Title: Cinema: Glass Sliver | 1/17/1977 | See Source »

...Salt Lake City headquarters of the Church of Jesus Christ of Latter-day Saints. The scrawled writing on the envelope instructed David O. McKay, president of the Mormons from 1951 to 1970, to deliver it to the clerk of Clark County in Las Vegas?a city whose glitter had attracted Hughes. Handwritten and partly smudged, the document runs for three pages and is filled with misspellings (cildren for children, for example). Purportedly written in 1968, it divides Hughes' estate into shares ranging from one-sixteenth to onequarter. Among the beneficiaries: the Mormon Church, Hughes' medical foundation, ex-Wives Ella Rice...

Author: /time Magazine | Title: TYCOONS: The Secret Life of Howard Hughes | 12/13/1976 | See Source »

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