Word: glittering
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...have incorporated sophisticated remixing and other mixology, Murdoch sings, "Play a game with your electronics, take a step to the discotheque...Hand in hand with the Electronic Renaissance is the way to go, you're learning, soon you will do the things you wanted since you were wearing glitter badges." The chorus sounds a critique of both musical and artistic minimalism, cold and synthetic: "Monochrome in the 1990s, you go disco and I'll go my way." Yet with Murdoch born in 1968, David in '69 and other members with birth dates scattered through the early '70s, one wonders whether...
BARBIE STRIKES AGAIN As if there weren't enough Barbie paraphernalia already, HP's Apollo division has unveiled the first Barbie-theme printer, the P-1220, in "mist gray with glitter pink accents." When released in July, it will come with Barbie Magic Hair Styler software and heart- and flower-shaped decals. Unfortunately, the $80 printer is not much more than a pretty face. It prints a sluggish 1.5 pages per minute in color, or 3.5 pages in black-and-white. At least kids will have something cute to look at while they wait...
...smoldering eyes and nudist tendencies. Midsummer Night's magic does well by all the aging cast members, making Stanley Tucci and Rupert Everet's oft-displayed biceps taut and virile as they lounge about, toying with the fate of their younger coactors. Pfeiffer tops the pantheon, lathered up with glitter and seemingly enchanted by the budding potpourri in her hair...
When the film isn't twinkling with glitter, it does manage some Shakespeare in Love-style gritty subplots. For all its dedication to the original version, Hoffman manages to imbue this retelling with a number of strangely random eccentricities. From pixies who bear distinct resemblance to Madonna and E.T. to a scene in which a catfight descends into Victorian female mud-wrestling, the film tosses enough curve balls to satisfy those who miss their Stoppard...
...anyone knows, Sargent never had--or was even rumored to have had--a sexual relationship in his whole life; nor did he ever do a painting of a nude. His sensuality was wholly visual and confined to the surface of things--the confused glitter of light on a Venetian canal, the rumplings of fabric, the porcelain skin of an upper-class face. The sexiest picture in this show is Two Girls in White Dresses, circa 1909-11. (It is actually one girl, his niece, painted twice, lying on an Alpine hillside.) Except for the faces, not an inch of skin...