Word: glittering
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...weight of Döblin's carefully repetitious dialogue with the buoyancy of his creamy, elegiac visual style. He interrupts the naturalism of lives on the skids with scenes of shocking surrealism: an old goat-man slaughters a calf; Mieze's corpse turns to soft-focus glitter, as if she had become in death a Hollywood star; a scorpion clambers up the entwined legs of two lovers, across the woman's breast and into the bloody gape of her slit throat. In the past, Fassbinder had seemed a master without masterpieces, teasing with his outsize talent...
...bright new substance into a world of obscurity and hints. It is what a cypress doorframe acquires after three centuries of sliding the shoji back and forth. It is what Japanese collectors got when they left their silverware to tarnish, instead of polishing it to a bright Tiffany glitter. Wabi is an older and wider concept. It conveys not the dryness and stillness of sabi, but an aristocratic use of "poor," rustic materials. Tea is the origin of much of Japanese design since the 15th century; in fact, the nearest thing to the Western concept of "design"-at least before...
What cascades of academic glitter! What fine madness of the intelligentsia! What milling and wheedling! The wonderful persons circulated and chatted, drank and staggered, consumed "dip" (whatever that may be), and the like festive routine. Sing, Muse, of this catalogue of shits...
LIKE A momento mori bared amidst a medieval feast, the Harvard-Radcliffe Summer Theatre's production of Eugene O'Neill's Mourning Becomes Electra horrifies while it captivates, an anomaly in a world of frothy fun and glitter. And like that sobering skull, the play, staged as it is in late July, reminds us that--both literally and figuratively--glorious summer will quickly fade to autumn and winter. O'Neill lets us know that even while comedy and music, sunshine and song still cast their spell, death and decay lurk inevitably in the shadows. They need simply wait...
...rocker has ever fused stage and private personalities with such dedication and calculation as David Bowie. The painted perversity of Ziggy Stardust spearheaded Glitter Rock and Glam Rock back in the early '70s. But as the centerpiece and major instigator of all this, Bowie was after something more than a shock and a trend. He wanted a confrontation with the innate theatricality of rock. In 1972, when he first hit the stage as Ziggy, decked out in makeup, dye job and psychedelic costume, the rock world was ready. Too much karma, too much good vibes, too much hippy dippy: audiences...