Word: globalizing
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Dates: during 1990-1999
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With this decision, the Senate has taken a dangerous step of potentially global proportions. While there was never a guarantee that other nations would sign the treaty based on the United States' decision, it is understood that we would serve as one of the primary supports upon which the CTBT would stand...
...only major Western country where the idea of making a profit evokes popular fear and loathing, where privatization and flexibility are such taboo words that Prime Minister Lionel Jospin, a socialist, avoids using them. "You wonder just how exceptional France can be and still remain a player in the global economy," muses a Western diplomat in Paris. And yet--vive le paradoxe--France today boasts a healthy growth rate, low inflation and a muscular foreign-trade surplus. At the same time, Jospin has actually privatized more state-owned enterprises than did his conservative predecessors, has reined in state spending...
...back again, throwing everything into the mix, making boundaries illusory. Lethal, for example, has 60,000 LPs in his collection, from different decades and different genres. DJ Skribble, who has performed with the hard-rock band Anthrax and who is the co-host of mtv's Global Groove dance show, says, "People are now into groups and artists and not specific genres of music. Deejays are making music less segregated." Not to mention giving hope to people who can't play guitar...
...trying to identify tomorrow's survivors--and the targets those companies will swallow today. If you want to play, look for AT&T, MCI WorldCom, Bell Atlantic and SBC to survive; their targets include many small cable and wireless companies, along with such big outfits as Bell South, Global Crossing, Cincinnati Bell, Qwest and Nextel...
Millennium hopscotches the world in vignettes, making regions characters in a global mini-series (and paying ample attention to non-Western areas). It eschews Ken Burnsian still lifes for a tarantella of computer animation, film clips, re-enactments and folk performances, whirling impatiently like the dervishes and dancers it uses to maximum effect. This mix can shock us into seeing the present in the past, as when Isaacs crosscuts modern Italian hipsters and preening Renaissance Florentines. The conventional re-enactments, however, are like a forced march to colonial Williamsburg...