Word: gloria
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Dates: during 1960-1969
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...away. "Arthur Miller left his mark on ex-Wife Marilyn Monroe," he reported. "Her favorite dish is lox and eggs." "Dagmar has shed so much avoir-dupoison, one of her best quips is now useless: Don't fight over me. fellers. There's enough for everybody.' " "Gloria Swanson brings her own rice when she dines at La Fonda del Sol." "Ailing or well, she is always Elizabeaut Taylor...
...time. The first: Marian Anderson, who in 1955 long past her vocal prime-appeared in the minor part of the fortune teller Ulrica in Verdi's A Masked Ball. Following Anderson, three Negroes have had lead roles at the Met: Baritone Robert McFerrin, Sopranos Mattiwilda Dobbs and Gloria Davy...
...Olives behind him. It is the kind of light but not irreverent touch that Roman Catholic Poulenc himself strives for in many of his religious works. Last week the Boston Symphony introduced U.S. audiences to the latest and perhaps most contrast-filled of Poulenc's compositions-his Gloria, in which he says he tried "to write a joyous hymn to the glory...
...Mantegna in mood, it is closer to a modern painter in manner. "The colors," says Poulenc, "are very clear, primary colors-rude and violent like the Provence chapel of Matisse." Scored for chorus, soprano, and a sort of celestial band of horns and strings, Poulenc's 25-minute Gloria proved to be a work of sharply profiled contrasts, at times deeply reverent (in the manner of his opera Dialogues of the Carmelites), at times mischievous and almost jazzy. Among its memorable moments: the opening of the second section, "Laudamus Te," with the dissonant cry of French horns followed...
Poulenc wrote Gloria, as he writes all of his music, in his 16th century country home in Touraine, because "like wine, which can grow only in its own soil, I can compose only in France." Originally, he intended it for one of his favorite singers, Italian Soprano Rosanna Carteri ("She has a voice with lipstick and powder"), but at the work's premiere the principal part was sung by U.S. Negro Soprano Adele Addison, who so impressed Poulenc that he interrupted a rehearsal to shout: "Parfait! Parfait! La perfection!" Poulenc plans to write a new opera for La Scala...