Word: glorias
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WOMEN'S confessions are swamping the media. Lady Bird Johnson tells McCall's' readership what it was really like a heartbeat away from the President. Gloria Steinem brings a tape recorder to the Harvard Business School, listens to all the women students wailing, and plays it back to New York magazine. And Carrie Snodgress dissects her marital crisis with a dash of liberal chic for every audience of The Diary of a Mad Housewife...
...Should I stop 500 or more men a year from coming to me because some woman wants to bulldoze her way into my meetings?" Boll said. "It isn't Mrs. Paul who's making a case of this-it's Betty Friedan and Gloria Steinem. They're making money out of these issues...
...piece hung together remarkably well under his direction, reaching its peaks in the Credo and the Agnus Dei. There were a few minor flaws, of course; the Kyrie went a bit too fast, the strings weakened during the Sanctus, and the horns were out of shape for the Gloria. The bass did not project as well as it could have, but this was the only real trouble with the performance...
...psychologically the least probing, was artistically the most inventive. The Hero becomes ensnared in the kinky problems of Mrs. Schmidt-Gordon, a twice-widowed owner of a rooming house. Mrs. Schmidt-Gordon murders, by mistake, her daughter Dulcy (Joan Tolentino). She had intended to decapitate her Cinderella-like daughter Gloria, played with winsome agility by June Gable, so that Dulcy could begin recruiting sexual partners. Such was not to be, as the Soldier discovers when he awakens to find Dulcy's headless body next to him in bed. Then begins a melodramatic chase sequence in which Mrs. Schmidt-Gordon, wielding...
...show their pursuit continued over rocks and in wooded areas, all this in frenetic, black-and-white photography which evokes the 1920's. To suggest a chase within the house, the director achieves an even more perfect fusion of film and stage action. As the real Soldier and Gloria gape from one open window, the other window shutter springs open, on film, and we see the ominous Mrs. Schmidt-Gordon seeking her prey...