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...starred Ginger with Britain's Trevor Howard, but it lacked the pathos of either the 1936 Broadway original (starring Noel Coward and the late Gertrude Lawrence) or the movie version, Brief Encounter. But in the third number, Shadow Play, Ginger was romantically believable in the touching dream sequence. Gloria Vanderbilt posed beautifully in the small part of Ginger's rival...

Author: /time Magazine | Title: Radio: The New Shows | 11/1/1954 | See Source »

...methodical. At length she fumed: "Let's get the first plane out of this place. They're a bunch of savages and I won't stay here!" With that she flounced into a car and was off to her beflowered presidential suite at the Hotel Gloria. Ten minutes after her arrival, the manager, urgently summoned by protesting guests to Suite 901, was greeted with a flying glass of whisky and a frenzied Ava smashing everything in sight. Ordered to leave, Ava soon turned up at another hotel, next day played hostess to the Brazilian press. Said...

Author: /time Magazine | Title: People, Sep. 20, 1954 | 9/20/1954 | See Source »

Divorced. By Gloria de Haven, 28, Hollywood musicomedy singer (Down Among the Sheltering Palms): Manhattan Real Estate Broker Martin S. Kimmel, 38, her second husband (first: Cinemactor John Payne); after fourteen months of marriage, no children; in Las Vegas...

Author: /time Magazine | Title: Milestones, Sep. 6, 1954 | 9/6/1954 | See Source »

Millionairess Gloria Vanderbilt Stokowski, 30, wife of sexagenarian Conductor Leopold Stokowski and self-admitted washout as an amateur actress at 16, starred before a sellout audience at Pennsylvania's Pocono Playhouse as the princess in Ferenc Molnar's The Swan. Consensus of the critics: "Nerveless poise." With Stoky's blessing, Gloria, mother of two and a painter of some commendable abstractions, suddenly found herself "enthusiastic about making the stage a career...

Author: /time Magazine | Title: People, Aug. 30, 1954 | 8/30/1954 | See Source »

...Polish wigmaker, started improving on nature in Hollywood, the screen's silent sirens wore only two kinds of powder-white and flesh-colored-both as pasty as dough. Factor developed new. softer powder shades, more complimentary rouge tones, and an easily applied foundation grease. Soon such stars as Gloria Swanson, Joan Crawford, Mary Pickford and Clara Bow were wearing Factor makeup off the movie lots, and U.S. women, who had previously thought that any makeup made them look "fast," started clamoring for the natural-looking powder and rouge. When Jean Harlow suddenly became a platinum blonde, Max Factor...

Author: /time Magazine | Title: CORPORATIONS: Glamour for Sale | 8/23/1954 | See Source »

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