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Word: gloss (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...knotted shadows of expressionism, the sunny rectangle-color as disembodied energy. Hygiene is an obsessive theme of constructivism: a design like J J Pieter Oud's Cafe Restaurant De Unie, 1925, is not to be imagined with a scintilla of city grime on it. Steel, chrome, tile, gloss paint were the rudiments of utopia, but, above all, glass. Paeans were written to the constructivist cathedral, the transparent tower. "Life is a burden without a glass palace," rhapsodized the poet and designer Paul Scheerbart...

Author: /time Magazine | Title: Art: Trends of the Twenties | 10/10/1977 | See Source »

...roll," but he was the first to consolidate all its divergent roots into a single, surly, hard-driving style. Rock had its origins deep in rhythm and blues, which, in a time of strict musical segregation, was black music all the way. Presley gave rock and blues a gloss of country-and-western and a rockabilly beat, but he preserved the undertones of insinuating sexuality, accentuated rock's and blues' rough edges of danger from the sharp beat to the streetwise lyrics. "It was like a giant wedding ceremony," Marion Keisker said later, "like two feuding clans...

Author: /time Magazine | Title: Music: Last Stop on the Mystery Train | 8/29/1977 | See Source »

...Gaullists were not altogether happy either. The new government does not include a single close ally of Jacques Chirac, the newly elected mayor of Paris who trounced Michel d'Ornano, Giscard's personal choice for the job. Giscard did his best to gloss over this humiliating loss. When Chirac was formally presented at the Elysée as "Monsieur le Maire de Paris," the President graciously responded, "Et cher ami" (and dear friend). Later Chirac tried to cool tempers at a meeting of Gaullist parliamentarians, many of whom had been openly derisive of Giscard. "We will be loyal...

Author: /time Magazine | Title: FRANCE: Giscard Gets the Message | 4/11/1977 | See Source »

...Manessier and Jean Bazaine, who had in the past drawn much of their visual language from Chartres's windows and had worked in stained glass themselves. The Viacryl coating, they charged, had ruined the transmission of light through the windows, shifted the color balance and, with its plastic gloss, canceled the irregular luminosity of the hand-cast glass. "I know what I see," says Bazaine. "Those windows, they were living. I have been looking at them for the past 50 years. Now they have no heart. Once they had depth and modulation; now they are flat, and the light...

Author: /time Magazine | Title: Art: Chartres:Through a Glass Darkly | 1/31/1977 | See Source »

Despite the self-consciousness that hampers it, the movie is impressive in its gloss and technical accomplishment. Film is inherently an effective tool for the mystery genre, and Ross handles it with artistry, capturing all the richness of detail and scene that fall within its purview. The camera models Holmes himself. In the movie's opening, a demented Holmes speeds across Europe in pursuit of Moriarty. He leaves London's Victoria Station with its throngs of people and loud, smoke-bellowing engines and passes into the gleaming green Austrian countryside. With his bloodhound Toby on the scent of Moriarty...

Author: By Margot A. Patterson, | Title: The 93 Per Cent Problem | 12/11/1976 | See Source »

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