Word: glossed
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Dates: during 1980-1989
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Without any debate, Baryshnikov is a performer of artistic genius, but no man is a hero to his corps de ballet. The big morale crisis in Private View involved the casting of the film Dancers, a modern gloss on the classic Giselle. Less than half the troupe's dancers were selected; for the rest, rejection amounted to a devastating appraisal of their entire season. When corps member Julie Kent, 17 and exquisite, won the ingenue role, angry charges of unfairness increased. Fraser notes that when the movie was finished and Kent's disastrous speaking voice squeaked through the land, tempers...
...there will always be good, well-intentioned men and women who will be seduced by the scene, and by its facade of grandeur and tradition. But as anyone who knows anything about final clubs can see, this appearance is a farce, a feeble attempt by insecure undergraduate men to gloss themselves in a veneer of sophistication...
...FISH CALLED WANDA. High-gloss farce is topped by Kevin Kline as an oafish jewel thief and John Cleese as a proper barrister gone bonkers...
...World Apart is refreshingly different because it resists, for the most part, the impulse to strike out what might be better left unsaid (although it does gloss over the Firsts' communist sympathies). Rather, it aims at realism, insofar as it doesn't omit family fights, broken friendships or even Diana's attempted suicide. And it succeeds because it is not a blanket statement about injustice and racism; it is about the lives of its characters. It is as much, if not more, about the relationship between mother and child than about the conflict between liberal journalist and apartheid-supporting police...
...blue plastic scrap, bronze, wood, lab glass, plaster, cogwheels, rubber and sandstone. At times the results look mysteriously vulnerable and reserved, like Silicate, 1988, an array of laboratory beakers and bottles, sandblasted until holes appear in their milky skins. Other pieces are farcical: Code Noah is Cragg's gloss on the perpetuation of genetic traits, a DNA helix made up of children's soft toys -- bunnies, horsies, teddy bears and heffalumps -- absurdly cast in bronze. Perhaps weirdest of all is Cragg's untitled sculpture of an enormously enlarged Paleozoic conch shell done in iron, the monster ancestor of all wind...