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Blitzstein, who taught at the Downtown School in New York during the thirties with none other than Elie Siegmeister and Hans Eisler as colleagues, inspired Lehrman to take a new look at Brecht's 1948 didactic play about the Paris Commune-or, more precisely, Blitzstein with an interpretational gloss thrown on his work by Leonard Bernstein. Bernstein in 1940 presented a production at Sanders of Blitzstein's The Cradle Will Rock. Bernstein adopted a "cantata form, from the piano." Lehrman, himself the director of a 1969 Cradle Will Rock production, explained in a 1970 essay about Blitzstein. This is "exactly...

Author: By James M. Lewis, | Title: Theatre Days of the Commune at Sanders Theatre at 8:30 p.m. tonight | 3/17/1971 | See Source »

...past, about the worst the horses were known to suffer was poor teeth -too many sugar cubes from admiring children-and most reached the age of 20 before going to the slaughterhouse. But of late, said Löwenbräu's Heinz Moelter, "their fur lost its gloss, their eyes their shine, and their pulling power declined." Recently, Munich's local Animal Protection Society confirmed what the brewery had suspected. "They informed us that permitting the animals to continue working in Munich's poisonous atmosphere amounted to sheer cruelty," said Moelter. "Significantly, they didn...

Author: /time Magazine | Title: WEST GERMANY: Not Fit for Horses | 2/22/1971 | See Source »

Republican entertaining, however, is not always polished to a high gloss of sophistication. For example, Interior Secretary Walter J. Hickel and his Alaska-born wife Ermalee gave a dinner for some of the stars who performed last week in the invitation-only gala at Ford's Theater. The piece de resistance was a rack of lamb, cooked by Wally Hickel himself on his indoor gas grill. When the grill developed a small but intractable fire, a discreet call was made to the fire department, asking for the help of just one fireman, who was to be smuggled quietly into...

Author: /time Magazine | Title: Martha Mitchell's View From The Top | 11/30/1970 | See Source »

...Theatre Centre troupe has, I repeat, no new method of acting or stage presentation and certainly no new gloss on Ionesco. What it does have is a remarkable optimism which can be felt if not communicated. "Man can and should be a determiner of life rather than a victim," the program notes blazon. Thus, in the Old West Church in Boston, in the midst of some harrowing Urban Renewal skyscrapers, a theatrical group has thrown off the pessimist syndrome which Daniel Moynihan recently tabbed "mediocre." Unfortunately, at this stage in its development, the HTC lacks the artistic expertise to complement...

Author: By James M. Lewis, | Title: The Theatregoer Jack, or The Submission/The Bald Soprano at the Old West Church until Oct. 31 | 10/7/1970 | See Source »

...befits its name, Rags eschews the gloss of traditional fashion books. Priced at 40?, its 60 newsmagazine-sized pages are printed in black and white on ordinary newsprint. But abundant pictures and a clean layout make it easy to read. Some of the most arresting material pops up in lengthy interviews. The July issue features San Francisco's Alvin Duskin, a social activist and successful manufacturer of knitwear, who says: "There is a growing resistance to buying clothes. The whole idea that 'clothes make a man' is over...

Author: /time Magazine | Title: The Press: A New Eye for Fashion | 8/10/1970 | See Source »

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