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Jean Gannett Williams' legacy was loaded with liabilities-but not of the financial sort. Her credentials were meager: one year's apprenticeship, one press junket through Europe. Buffed to a high private-school gloss at Masters School and Bradford Junior College, she seemed miscast in a man's world of deadlines and hot lead. Jean became president, but Gannett papers were really managed by two survivors of her father's rule: General Manager Laurence H. Stubbs and Publisher Roger Chilton Williams, son of the late novelist Ben Ames Williams-and Jean Gannett Williams' ex-husband...

Author: /time Magazine | Title: The Press: New Reign in Maine | 2/23/1959 | See Source »

...strangely romantic, and it might well suggest a gifted writer's self-delusion that memory would afterward recoup with words what had been squandered on wine and women. The twists and turns along Halliday's road down remain largely uncharted. But The Disenchanted does not adulterate or gloss over. It treats writers as writers, Hollywood as Hollywood, truth as truth. It has a sense of the real thing and of what it means; it knows that, for the bedeviled writer, good intentions can be paved with hell. Whatever its flaws as playwriting, it deals feelingly with authorship...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Dec. 15, 1958 | 12/15/1958 | See Source »

...doubtful whether the last minute changes mattered a lot. Here is a rag-tag sketch, something informal, something that would suffer more from a bad stab at giving it professional gloss than from the loose and chaotic treatment Charles Mee, director, has given it. Not to say, of course, that a slick, carefully conceived job mightn't have been better; just probably impossible here...

Author: By Gavin Scott, | Title: The Good Woman of Setzuan | 12/1/1958 | See Source »

...satisfying as is the cloud in which this kind of generalization leaves its author, to stress in might be to gloss over what Curleyism meant to Boston. Here perhaps the most articulate of local commentators is Louis Lyons. "Curleyism," he said a week ago, "surrounded Boston like a moat for a generation, putting a chasm between city and suburbs with the most bitter refusal to entertain any cooperation with the city. It was a compound tragedy of Boston that it was saddled with Curleyism in the period of its most severe economic pinch, as capital of the region that...

Author: By Jonathan Beecher, | Title: The Harvard History of James M. Curley | 11/22/1958 | See Source »

...late Philip Barry-has contrived a bright tale of the prodigal father who, turning up for his daughter's wedding, turns everything around him upside down. And Cyril Ritchard, on whose shoulders have fallen both acting the prodigal and directing the play, has added greatly to the gloss...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Nov. 3, 1958 | 11/3/1958 | See Source »

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