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...Britain. Stan Kenton's 20-piece band played a concert in London's Albert Hall, where jampacked fans hungrily took in such Kenton specialties as Theme of Four Valves and 23° N= 82° W* Critical evaluation ranged from cool ("about 30% art, 70% commercial gloss") to enthusiastic ("at all times vital and alive"), and it seemed certain that Kenton would establish attendance records on his 35-concert tour of the British Isles. Under an agreement between the two unions, top British Bandleader Ted Heath will reciprocate with a tour of the U.S. next month...

Author: /time Magazine | Title: Music: Breaking Through | 3/26/1956 | See Source »

Seldom truly raffish, the show is often just plain dull. There are some attractive Hammerstein lyrics, and the Rodgers score ranges pleasantly from the lilt of A Lopsided Bus to the schmalz of All at Once You Love Her. But the production adds little gloss: the dancing is uninspired, the performing?except for William Johnson as Doc?unimpressive. TV's Judy Tyler is little more than a pretty ingenue, and as the madam, Opera Singer Helen Traubel is wildly though likably miscast...

Author: /time Magazine | Title: The Theater: Rodger and Hammerstein's Pipe Dream | 12/12/1955 | See Source »

...Inheritance is part and parcel of a larger problem of exploitation, and we shall use this debate as a discussion of property relationships," George J. Gloss said last night on behalf of the Party...

Author: NO WRITER ATTRIBUTED | Title: World Socialist Party Challenges Debaters To Argue Inheritance | 5/9/1955 | See Source »

When asked whether he was a leader of the Boston Socialists, Gloss replied that the party "does not look to men on horseback to solve problems. We merely have officials for the perfunctory carrying out of delegated tasks," he said...

Author: NO WRITER ATTRIBUTED | Title: World Socialist Party Challenges Debaters To Argue Inheritance | 5/9/1955 | See Source »

...Manor Bron" sketch and the concluding bit could both be shaved again, but with the changes already made in the show, these slow-ups are by far the exceptions. The pace is dazzling now: director Ed Golden being responsible for the production's sharp aim and high gloss...

Author: By Arthur J. Langguth, | Title: 'Great to Be Back!' Again | 4/22/1955 | See Source »

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