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...leap toward modern realism takes place in Cat on a Hot Tin Roof, and falls a bit off-balance. Williams actually meant Paul Newman's character, the football star on the skids, to be haunted by his betrayal of a male lover (here, a male friend). They had to gloss over all the hints in this version, but Newman does well with the toothless make-shift. Elizabeth Taylor doesn't deliver the performance I expected from the legend, but those fond remembrances may have hailed back mostly to her more svelte youth. And both actors have to do running battle...

Author: By Mark T. Whitaker, | Title: Film | 8/13/1976 | See Source »

...written his first original screenplay, Murder by Death, an affectionate spoof of popular detective fiction, and something of a change from the more urbane, comedy of manners subject material of his earlier stage works. But like the plays, Murder by Death follows the Simon "formula"--lots of gloss and not much substance--and suffers as a result...

Author: By Margaret ANN Hamburg, | Title: Smothered by Fluff | 7/20/1976 | See Source »

Give the author credit though. She has written a truly haunted story in which agony gives gloss a run for the money. The Furies in her suburb are real, even if she seems to banish them with a spray of Airwick...

Author: /time Magazine | Title: Books: Suburban Furies | 7/19/1976 | See Source »

...movie is pretty straightforward science fiction with a gloss of social commentary thrown in. This could have been all right: Roeg reworked similarly conventional Daphne du Maurier material into his best movie, Don't Look Now. The Man Who Fell to Earth does not have the personal intensity of the earlier movie nor its daring. Sensing this, perhaps, Roeg and Screenwriter Paul Mayersberg have weighted the slender narrative down with more ideas than it can support: about family structures within different social frameworks and the destruction of innocence by civilization (both explored in Walkabout); about shifting identities and sexual...

Author: /time Magazine | Title: Cinema: Heavenly Body | 6/14/1976 | See Source »

This is not to imply that Collier and Horowitz gloss over the impact of the Rockefellers in favor of describing exquisite intertribal tensions. Particularly in detailing the history of John D. Rockefeller Jr.'s five powerful sons, they carefully document the extent and form of the family's influence. In this modern, financially stable stage, their lives are inextricably bound up with the course of the nation, through a welter of foundations, governmental bureaus, financial institutions and the family specialty these days, report-writing panels of experts...

Author: By Nick Lemann, | Title: Poor Little Rich People | 4/22/1976 | See Source »

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