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Word: glossing (lookup in dictionary) (lookup stats)
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There are subjects, and this seems to be one, that are almost too romantic to discuss objectively--Bird and Shaffer barely mention the internal splits that divided the IWW into Two Medium-Sized Opposing Camps, and they gloss over the unfulfilled need for an intellectual construct for the union. But what they do focus on is more important. J. Edgar Hoover cut his teeth on the Wobblies; in the face of government's crudest repressions, these immigrant laborers, farm-workers who rode the rails, and confirmed Marxists shone. The film opens with the interrogation of a Wobbly arrested for giving...

Author: By William E. Mckibben, | Title: I Wobble Wobble | 9/29/1980 | See Source »

...Allen has set his film in a resort hotel and cast himself as a film maker, very much like the Woody Allen we think we know, who finds himself in a creative culdesac. The film mixes memory and fantasy with the surreal-life present. Its visual style is a gloss on 8½'s: seductive black-and-white images, express-train pacing, a foregrounding of comic bit players. The three main women in 8½ (a mistress, a wife, an earthy guardian angel) find their echoes here in Charlotte Rampling, Marie-Christine Barrault and Jessica Harper. Allen also appropriates...

Author: /time Magazine | Title: Cinema: A Comic Master Goes for Baroque | 9/29/1980 | See Source »

...superficial treatment of the Bobby Baker scandal, the relationship between the Johnsons' business interests and the FCC and the Tonkin Gulf deception lets L.B.J. off the hook. Miller also fails to reflect strongly enough the extent of the damage caused by Johnson's Viet Nam policy. Eulogistic gloss tends to soften some of the harder truths. Perhaps this is the nature of oral biography. At one point the author notes that "memory is a gentleman." True. But when memory serves legend more than history, it becomes a gentleman's gentleman. -By R.Z. Sheppard

Author: /time Magazine | Title: Books: Just a Cowboy Making Love | 8/18/1980 | See Source »

...short, punchy scenes, Dallas tells viewers that the rich really are different: they sin more spectacularly and suffer in style. The program's high-gloss handsomeness brings a touch of class to the ruck of commercial series TV. The Ewing home at Southfork Ranch, where eight members of one of Texas' wealthiest families contrive to live under one roof, resembles a formicary of Neiman-Marcus showrooms. Every taste and no taste is represented here: satin pillowcases, china dogs, replicas of Steuben vases, gilt-framed imitations of Frederic Remington, bedroom closets that look like mink cemeteries. The budget...

Author: /time Magazine | Title: TV's Dallas: Whodunit? | 8/11/1980 | See Source »

...Mitchell to spin out cliffhangers about powerful, tragic families. Who could blame 40 million Americans for taking their pleasures with TV's best and baddest? Come Friday nights this fall, the country will become one huge eavesdropping family, as the denizens of Dallas provide 25 more gilded, high-gloss mirror images of domestic America. For if the show's spectacular success proves anything, it is that when the chemistry is right, oil and soap...

Author: /time Magazine | Title: TV's Dallas: Whodunit? | 8/11/1980 | See Source »

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