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...Afro-Am class the subject matter is very controversial," says Kaiama L. Glover '94, an Afro-Amercan Studies and History and Literature concentrator. "People insert a lot of social issues that they wouldn't if evaluating texts in other classes. It adds to the intensity...

Author: By Elizabeth J. Riemer, Rebecca M. Wand, and Anna D. Wilde, S | Title: Afro-Am Studies Grows Under New Leadership | 5/10/1993 | See Source »

...document of a white-Black partnership star ring Mel Gibson and Danny Glover, "Lethal Weapon" stands for the "desegregation of the American community," Carby said...

Author: By Judith E. Dution, | Title: Carby Probes Black Images | 4/8/1993 | See Source »

Queen eventually triumphs, of course, thanks to her pluck and the love of a good man (Danny Glover). All of which would be more inspiring if it weren't for the florid melodrama and tinhorn dialogue. The villainous racists do everything but twirl their mustaches. The shallow plantation wives are cliches of another sort: "If it were not for the slave girls," says one, excusing the menfolk's sexual dalliances, "we women would have to submit to our husbands whenever they feel . . . healthy." The young Queen expresses her romantic outlook in sappy lines like "I want to marry a prince...

Author: /time Magazine | Title: Florid Fiction, Bruising Fact | 2/15/1993 | See Source »

...Cincinnati. But the old, weird Lynch is back in HOTEL ROOM, an HBO trilogy of stories, two of them directed by Lynch from scripts by Barry Gifford. A hooker (Glenne Headly) is caught in a psychological sparring match between a seedy customer and his mysterious friend; a husband (Crispin Glover) tries to rescue his bereaved wife from madness during a power blackout. The dialogue has the evocative spareness of Pinter, and Lynch's control of mood -- menacing, mesmerizing -- has never been more sure...

Author: /time Magazine | Title: Short Takes: Jan. 18, 1993 | 1/18/1993 | See Source »

Choreographers Anika Davis and Kaiama Glover should be hired by every musical going up next semester. While it is obvious that the routines (like the music) are influenced by Motown, they are nonetheless fresh and exciting. Davis and Glover avoid the repetition that often characterizes student choreography. The tango segment in "Mushnik and Son" is a particularly creative choice...

Author: By Lori E. Smith, CRIMSON STAFF WRITER | Title: An Entertaining Shop of Horrors | 12/10/1992 | See Source »

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