Word: glovers
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...growing problem. Basically, it's the economy," says Brent Glover, who has run Idaho's Orphan Acres since 1975 and has found new homes for 1,600 rescued horses. "We're getting calls constantly." With more horses coming onto his 50-acre refuge, he is feeling the pinch of a hay bill that has risen from $28,000 to $80,000 this year, not to mention rising transportation and grain costs. "It's a horrible mess of bad consequences," says Colorado State University animal sciences Professor Temple Grandin. "People are turning them loose because of the decline in discretionary spending...
Edward Docx’s third novel, “Pravda,” starts off like a Dan Brown thriller. We are introduced to Gabriel Glover, freshly landed in St. Petersburg following his mother’s strange midnight call to his apartment in London. “Come tomorrow. Promise me,” she had demanded with mysterious urgency the night before. Gabriel obeys, traveling to Russia and taxiing over to her apartment only to find his mother dead on the floor. All similarities to Dan Brown, thankfully, stop there. Instead of the murder mystery suggested...
...well out of the range of philanthropy, but not if we choose to recognize and capitalize on the market value of forests. Canopy Capital's deal is a great first step in that direction. "This demonstrates that you can use a forest, but not lose it," says Edward Glover, chair of the Iwokrama reserve. Anything that keeps us from losing forests is worth trying...
...Venerable, dignified, marginally befuddled Mr. Fletcher (Danny Glover), who runs the Be Kind Rewind Video & Thrift Store on what may be Waller's very birthplace, esteems the great Fats so highly that he has commissioned a documentary in his honor. Look closely at the lovingly reproduced footage at the beginning of the film and you'll notice some familiar current faces, belonging to Jack Black and Mos Def, among Waller's fellow citizens of the 1920s. It's as if they'd time-traveled to play Woody Allen's Zelig character in an American Masters episode...
...prevailing feeling was that the painful labor impasse had earned the writers historic gains, despite failing to fulfill an early goal of winning jurisdiction over reality and animation writers. "The strike was worthwhile," says WGA member Keith Glover. "It needed to be done for the future." Unlike earlier writers' strikes, this one appears to have strengthened the guild, writers said. "The '80s strikes left the guild in acrimony and disarray," says Scarpa. "This time we're better off and more unified...