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...Super. In the Manhattan Engineer District days, while the first A-bomb was still in the making, Teller's mind leaped ahead to the possibilities of a thermonuclear bomb repeating on earth the fusion that makes the stars glow. But at war's end he found most of his fellow scientists unwilling to work toward the "super." The deadly success of their A-bombs at Hiroshima and Nagasaki had rocked the consciences of the atomic scientists. "The physicists have known sin," said Physicist J. Robert Oppenheimer, Los Alamos' wartime director, and most of his colleagues agreed with...

Author: /time Magazine | Title: DEFENSE: Knowledge Is Power | 11/18/1957 | See Source »

...inflationary blaze in Latin America began about a decade ago with a small, warm glow, fed by the best of intentions: to match the standards of the prosperous, industrialized nations of the world, to live the full, good life. The specific objectives varied by nations-large public works, social welfare schemes, high wages, more leisure for workers, local rather than foreign development of national resources -all adding up to what economists call "the revolution of expectations." But expectations outran means; relatively backward economies could not supply the standards of fully developed states. Strained for the means, nations turned to their...

Author: /time Magazine | Title: THE AMERICAS: Inflation's Outer Spaces | 11/18/1957 | See Source »

...Moon Glow...

Author: /time Magazine | Title: Letters, Oct. 28, 1957 | 10/28/1957 | See Source »

...Chiapas State, Mexico, evidence that they were not the peace-loving esthetes (v. the later, barbaric Aztecs) that they had been labeled earlier, for their murals show them as cruel, bloody soldiers. But the Mayans deserve their original reputation as a people of high culture. Their sculpture and architecture glow with color, intricate detail, lively movement and full-dimensional symbolism (see color pages...

Author: /time Magazine | Title: Art: A FEW BAKTUNS AGO | 10/21/1957 | See Source »

...here and there on the stage the story loses a certain inward glow, it gains in outward color from snatches of song or the interplay of street voices. With the performers-particularly George Brenlin as Sean and Aline MacMahon as the mother-providing a resonant voice box, I Knock at the Door wisely puts adroit storytelling ahead of theatrical effect. If four walls and a passion can make a good play, almost as much can be had from six chairs and a prose style; and an ounce of Cavendish cut-plug can be worth a pound of routine theatrics...

Author: /time Magazine | Title: The Theater: Recitation in Manhattan | 10/14/1957 | See Source »

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