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ALFRED MANESSIER, 43, sometime architect from Picardy, an abstractionist (he calls his painting "supra-rational") who uses colors that glow like Rouault's. Like Rouault, Manessier underwent a religious crisis which he resolved in a brief retreat to a Trappist monastery. Manessier's subsequent work has often had a kind of vaulted Gothic mysticism...

Author: /time Magazine | Title: Art: After the Sunburst | 3/21/1955 | See Source »

...budget and talent pool that is relatively unlimited, The Seagull seems too demanding in its delicate excellence, and being several cuts below perfect each production failed. In this case, since one can expect little more than a game try at perfection, the audience is left with a warm glow at the thought that a Harvard group has done so well...

Author: By Robert J. Schoenberg, | Title: The Seagull | 3/18/1955 | See Source »

...main fuel for glow is a trio of principal players: Elinor Fuchs as a warm, vain and fading actress, Wendy Mackenzie as an ingenuous country girl who becomes more or less great in betrayal, and Andre Gregory, playing an author whose weakness and fine sensibilities combine to ruin lives. These three set a hard mark for the rest with thoughtful portrayals designed intelligently to develop and exploit the respective characters. Especially in Gregory's case one sees how his characterization during the early, seemingly unimportant scenes, is a well calculated build-up to his later scenes. All three deserve more...

Author: By Robert J. Schoenberg, | Title: The Seagull | 3/18/1955 | See Source »

...plays is also partly one of production. Where Picnic so stressed theatrical values as to ossify human ones, Bus Stop, under Harold Clurman's understanding direction, seamlessly blends the two. Despite deeper entanglements, Picnic was all surfaced glare; Bus Stop, for all its outward humors, catches an inner glow...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Mar. 14, 1955 | 3/14/1955 | See Source »

...asks Gold. As billions follow billions of years, the most distant galaxies slip over the edge of the universe as their light becomes too feeble to be observed. Faint nearby galaxies grow brighter as they collect more matter. As the space between them expands, new galaxies are born to glow faintly in the new space...

Author: /time Magazine | Title: Science: Horizon of the Universe | 3/14/1955 | See Source »

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