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...massive rectangles of Elysium, with their varied thicknesses and textures, are both somber and subtle. They glow before the eye, drop back into space. As the eye moves about them, they in turn seem to move in relation to one another...

Author: /time Magazine | Title: Art: Push Answers Pull | 3/17/1961 | See Source »

...sections of it were performed with real distinction. The faultless intonation of the orchestra's winds (the first desk flute and clarinet merit special attention), the resounding firmness of the brasses--all these are easily the equal of almost any professional orchestra. The strings were perhaps too eager to glow wtih romantic intensity, or what-ever; at any rate their tone was often thin, harsh, and somewhat forced. This did not, however, diminish Mr. Senturia's achievement; the pastoral plainness of the second movement and the terse drama of the fourth were presented forcefully and with great care...

Author: By Anthony Hiss, | Title: Harvard-Radcliffe Orchestra | 3/11/1961 | See Source »

...works, there have been a growing maturity and an increasing sureness of brush, but at heart Lawrence's paintings remain the same. He deals with people who have made history and those who simply endure it - human tales that are almost always a trifle sad and yet still glow with the wonder of fresh discovery (see color...

Author: /time Magazine | Title: Art: BRIGHT SORROW | 2/24/1961 | See Source »

Braced against the roll of his little Navy supply ship T-AKL 17, Skipper Sixto Mangual stared at the soft glow of a radarscope. In the center, a ragged splash of light reflected the "sea return," the radar echo bouncing back from the vicious waves of the gale-roiled Atlantic. Beyond the sea return-twelve miles away by the scale of the scope-a smaller blob of light pinpointed the position where Texas Tower 4,* a man-made Air Force radar island, was riding the storm. Suddenly, silently, the tower echo disappeared. Beyond the sea return there was only...

Author: /time Magazine | Title: Disasters: Death on Old Shaky | 1/27/1961 | See Source »

...student at the Amsterdam Conservatory, Haitink "felt the need to have a broader instrument," studied conducting, was soon picked as assistant conductor of the Dutch Radio Philharmonic. In frequent guest stints with the Concertgebouw, Haitink has already replaced the light, silvery Eduard Van Beinum tone with a darker, deeper glow reminiscent of the way the orchestra sounded under Willem Mengelberg. Some critics call him too nuchter (sober), but, says Haitink, "after my first wild years, I am just trying to get a balance between my heart and my head...

Author: /time Magazine | Title: Music: New Batons | 1/20/1961 | See Source »

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