Word: gluck
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Dates: during 1920-1929
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...perfect technique and easy control of tone conveys, to the listener impressions of restraint and perfect command of his art. With a voice smooth though not weak, powerful though never forced, he gave a program which evinced catholicity of taste and true musicianship. Commencing with eighteenth century music of Gluck and Handel, he sang three songs of Griffes, Huhn's "Invictus". (the words are Henley's) and various French and Spanish songs. For encores he gave "Ships"--Masefield set to music highly descriptive--, "Drink to Me Only with Thine Eyes" and more songs of his native land...
...Gluck, "Song of the Nymph", from "Armide...
...formerly a member of the Boston Musical Association Orchestra. The program for this afternoon is as follows: Symphony in B minor Schubert Prelude to "The Deluge" Saint Saens Song of the Sandman from "Hansel and Gretel" Humperdinck Valse Triste Sibelius Minuet and Gavotte Lulli Overture to "Iphigenia in Aulis" Gluck...
...program tonight will be as follows: "Up the Street" Morse "Overture, 'Fingal's Cave'" Mendelssohn "Valse Triste" Sibelius "Ballet Suite" Gluck "March of the Little Lead Soldiers" Pierne "Serenade" Drigo "Bungarian March' Berlioz "Our Director" Bigelow
...complete program follows: Overture: "Fingal's Cave" Mendelssohn Cello Solo Mr. K. V. A. Forbes Prelude to "The Deluge" Saint-Saens Ballet Suite Gluck (a) Aria from "Orpheus (b) Musette from "Armide" Valse Triste Sibelius Hungarian March from "The Damnation of Faust" Berlioz