Word: gluck
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Dates: during 1940-1949
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...singers and musicians and the Dutch loved it. At war's end, they decided to keep it. Last week, at Holland's third annual music festival in Amsterdam and Scheveningen, music lovers saw the decision magnificently justified. The new Netherlands Opera gave as fine a performance of Gluck's Orfeo ed Euridice as had been heard in years. The cast got a dozen curtain calls and a standing ovation from happy Am-sterdamers and their visitors. Minister of Arts F. J. Rutten exclaimed in relief, "It's really quite all right...
...years ago, pretty Contralto Kathleen Ferrier had made a name for herself at Britain's Glyndebourne Opera Festival -and the name was Orfeo. Last week, after her first U.S. performance of Gluck's 187-year-old, seldom heard opera Orfeo ed Euridice, Manhattan operagoers understood...
...have a familiar Euridice opposite her: U.S. Soprano Ann Ayars, who had sung the role with her in England and on records.#&134; But Conductor Thomas K. Scherman's Little Orchestra (38 players) and 40 singers from the Westminster Choir got into the graceful spirit of Gluck's music with the overture, and stayed in it to the last gaily triumphant note. It was, however, the dramatically restrained passion of Kathleen Ferrier's singing, in a voice that is even and full through its two-octave range, that carried the show. Few had ever heard the familiar...
...early operas such emasculated male soprano songbirds as Senesino and Farinelli embellished their arias beautifully and at will, until Gluck in the second half of the 18th Century put them in their place with pinpoint notation, made them stick to the score...
Dark-eyed Elena Nikolaidi, assured and lovely in a pale taffeta gown, stepped out on the stage of Manhattan's Town Hall, composed her hands and began to sing. Her voice, ranging from a mellow low contralto to a brilliant mezzo-soprano, glided through songs by Gluck, Haydn, Schubert, Rossini, Mahler, Ravel and De-Falla; the performance came to an end with the Sleep-Walking Scene from Verdi's Macbeth. The audience shuffled their programs to look at the name again. Thirtyish Elena Nikolaidi, making her U.S. debut and almost unknown outside Athens and Vienna, had achieved...